Archival Photographs in Perspective: Indian Residential School Images of Health
Art, Indigenous Sovereignty, and Resistance in the Age of Big Oil: Corwin Clairmont's Two-Headed Arrow/The Tar Sands Project
Artists' Connection 5: Indigenous Perspectives
Teachers' resource uses works by Michael Barber, Carl Beam, Monique (Aura) Bedard, Janice Brant, Deron Ahsén:nase Douglas, Lorrie Gallant, Kelly Greene , Summer Hill, Janus, Nancy King (Chief Lady Bird), Quinn Smallboy and Saul Williams.
An Arts-Based Curriculum Encounter: What Does It Mean to Live on This Land?
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
Beads: Symbols of Indigenous Cultural Resilience and Value
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Call Me Angakkuq: Captain George Comer and the Inuit of Qatiktalik
Chasms and Collisions: Native American Women's Decolonial Labor
Chief Supernatural Being with the Big Eyes
The Concept of Duality in Culture and Myths of Lakota Indians
Contemporary Indigenous Arts in the Classroom
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decolonizing Hydrosocial Relations: The River as a Site of Ethical Encounter in Alan Michelson's TwoRow II
Disposable Red Woman: Guerrilla Art
Dressing Under Pressure: Métis in kistapinânihk, 1862-1900
Media and Cultural Studies Thesis (MA) -- University of Alberta, 2021.
Early 19th Century Men's Southeast Moccasins in the Creek Style
Edgar Heap of Birds
Equality
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
"Faces We Remember": Assessing Visual Memory Depth among the Yupik of Chukotka and St. Lawrence Island
Examines the visual memories of Yupik and Chukotka elders based on historical photographs and the importance of physical visual collections.
Framing the Past
Frederick Alexcee's Entangled Gazes
"Free Your Mind," from the Series Crazymaking (2007)
From Breath to Beadwork: Lessons Learned From a Trauma- Informed Yoga Series With Indigenous Adolescent Girls Under Youth Protection
Examines the use of culture with yoga and meditation as means to help at-risk Indigenous youth.
From Sea to Sea to Sea: Celebrating Indigenous Picture Books
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
Giving Life to the Truth: Indigenous Art as a Pathway to Archival Decolonization
Glimpsing Our Past: An Archival Photo Project
The Great Shimmering
Group of Six Coloring & Activity Book
Artwork designed by youth artists from the Six Nations, Grand River Territory.
Haa Léelk'w Hás Ji.Eetí, Our Grandparents' Art: A Study of Master Tlingit Artists, 1750-1989
Hlk’yak’ii: To Start a Fire
Catalogue for exhibition of the same name.
Honouring: Project of Heart / Speaking to Memory
Ideals of Authenticity: Euro-American Sculptural Representations of Native Americans at the World’s Columbian Exposition of 1893
“If Only It Makes Them Pretty”: Tattooing in “Prompted” Inuit Drawings
Image-based Storytelling: A Visual Narrative of My Family’s Story
A series of paintings and text written by the artist narrate pieces of her father’s story, and through the narrative offer a comparison of Dene and Western world-views and understandings of well-being. Journal has reversed the text of the third and fourth paintings.