Inukjuak Art History
Is Canada Postcolonial?: Re-Asking through "The Forgotten" Project
[Isuma: The Art and Imagination of Ruben Anton Komangapik]
"It's a Double-Beat Dance": The "Indian Cowboy" in Indigenous Literature, Art, and Film
It Took More Than a Village: The Story of The 'Ksan Historical Outdoor Museum and The Kitanmax School of Northwest Coast Indian Art
Itee Pootoogook "... A Comfort Level in the Medium"
James Earl Fraser's The End of the Trail: Affect and the Persistence of an Iconic Indian Image
[Jamie Black and the Red Dress Project]
[Jamie Black and the REDress Project]
Jeff Thomas at Stephen Bulger Gallery
[Jessica Jaconson-Konefall, Indigenous New Media and Settler Societies in Canadian Cities]
Jimmie Durham and the Carpentry of Ambivalence
Jimmie Durham: For the Price of a Magazine
Kaahsinnooniksi Ao'toksisawooyawa: Reconnections with Historic Blackfoot Shirts
Kananginak Pootoogook: Celebrating Five Decades of Artistic Achievement
Kiugak Ashoona: Stories and Imaginings from Cape Dorset
Knitting and Basket-Making Receives an Official Nod
Comments on the designation of Cowichan sweaters and Nlaka'pamux basket making as Aboriginal items of national historic significance by the Historic Sites and Monuments Board of Canada.
Page 4 of insert entitled Raven's Eye: Special Section Providing News from BC & Yukon.
Koowhiti
A Lakota Shirt
The Land Has Memory: Indigenous Knowledge, Native Landscapes, and the National Museum of the American Indian
Lauralee K. Harris
[Ledger Narratives: The Plains Indian Drawings of the Lansburgh Collection at Dartmouth College]
Legends of Our Times: Native Ranching and Rodeo Life on the Plains and Plateau
The Louis Shotridge Digital Archive: Tlingit Art, Culture, and Heritage
Magee Photograph Collection
The Magic of the People in Our Lives
Comments on Norval Morriseau, an artist and a traditional teacher.
Entire issue on one pdf. To access article scroll to p.12.
The Making of "Indian Arts" in Schools: The Case of Educational Reforms in the American Southwest, 1920s-1930s
Manifest Meanings: The Selling (Not Telling) of American Indian History and the Case of "The Black Horse Ledger"
The Many Faces of Edward Sherriff Curtis: Portraits and Stories From Native North America
Many Worlds Converge Here: Vision and Identity in American Indian Photography
Marie Watt's Forget-me-not: Stitched in Wool, a More Human War Memorial
Material Translations: Cloth in Early American Encounters, 1520-1750
Materiality and Collective Experience: Sewing as Artistic Practice in Works by Marie Watt, Nadia Myre, and Bonnie Devine
Meet the Artist: Brian Jungen
Meetings at the Margins: Prehistoric Cultural Interactions in the Intermountain West
Métis Artist and Indigenous Activist Dylan Miner
The Miqqut Project: Joining Literacy, Culture and Well-Being through Non-formal Learning in Nunavut: Research Report
Looks at non-formal traditional skills programs with embedded literacy offered in Rankin Inlet, Nunavut.
Moccasin Styles
Discusses the elements of various styles and the techniques used to create them.
A Modernist Moment: Native Art and Surrealism at the University of Oklahoma
Mukluks and Moccasins: A Manitoba Success Story
Looks at two Métis entrepreneurs whose company, Manitoba Mukluks, employs 50 Aboriginal workers and sells their product worldwide.
Entire issue on one pdf. To access article scroll to p.30.
The Museum of Contemporary Native Arts
My Breath, My Gravity: My Anishinabe Indexical Opens, Pops and Riffs
Communication, Art and Technology Thesis (M.F.A.)--Simon Fraser University, 2013.
My Journey of Magic Realism
Nahe Gǫndie Goghánídle: Sharing Our Stories
"A collection of stories and photographs of objects from the Dehcho".