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Aboriginal Artists Defying Expectations
Aboriginal Curatorial Collective / Collectif des commissaires autochtones: Bibliography
An Accidental Teacher: Anthony Walsh and the Aboriginal Day Schools at Six Mile Creek and Inkameep, British Columbia, 1929-1942
AIDS to Native Eyes [Part 1]: Honoring the 1st National Native American AIDS Awareness Day
[AIDS to Native Eyes Part 2]
American Indians Abroad: The Mythical Travels of Mrs. Penobscot and King Hendrick
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Artist Database: Merasty, Angelique
The Artists' Perspective: Survey Shows Materials are Greatest Need
Assimilation or Resistance?: The Production and Consumption of Tlingit Beadwork
Baker Lake Renaissance
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Bart Hanna: Heart of a Wanderer
Basketmaking Guides and the Appropriation of Indigenous Basketry
[Bennie Klain]
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Big Nose and his Painted Elk Skin
Boyer's True Legacy Lies Within the Future Artists He Inspired
Brief commentary on artist Bob Boyer, known for making political statements about the way Aboriginal people have been treated throughout the years.
Entire issue on one pdf. To access article scroll to p.38.
Brave Hearts and Their Cradles: A Pictorial Presentation of Native American Cradleboards
The Brousseau Inuit Art Collection Hydro-Québec Gallery: Musée national des beaux-arts du Québec
Buffalo Boy at Burning Man: Camp, Mourning and the Forgiving of History in the Work of Adrian Stimson
Changemakers Lesson Plans: Remote Learning
Lesson plans focus on Native Americans who are fighting invisibility and creating change through their work, contributions from the past, and current actions which will impact the future.
Cheyenne, Comanche, Kiowa
Chilkat Tunics: Toward a Reassessment of the Configurative
Chronology of Daphne Odjig's Life
Co-Publishing in the Visual Arts: The Production of Rebecca Belmore: Fountain for the 2005 Venice Biennale.
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Contemporary Native Art in a Primitive World
Copper Thunder
Copper Thunderbird by Marie Clements: Study Guide
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
David Ruben Piqtoukun: In Search of a Softer Wind
Detailed Description: Las Desaparecidas/Missing
Developing Indigenous Visual Arts Transnationally and Across Genres
Digital Indigeneity: Digital Media's Uses for Identity Formation Education, and Activism by Indigenous People in the Northeastern United States
"Do Not Park Bicycles!": America Meredith, Dylan Miner, Tania Willard, Terri Saul, Yatika Fields
The Double Entendre of Re-Enactment
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
Elucidating Abstract Concepts and Complexity in Louise Erdrich's Love Medicine Through Metaphors of Quilts and Quilt Making
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
Eye Contact: Photographing Indigenous Australians
Five Contemporary Manitoba Artists, Who Happen to be Aboriginal
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.
Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art
Garden of Relatives Coloring Book
Colouring pages based on design that features plants and the animals associated with them.