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Aboriginal and Torres Strait Islander Visual Arts and Crafts: Study Report
Aborigines Day Saskatoon. - 21 June 2003. - Slide.
Historical note:
First proclaimed by the Governor General of Canada on 13 June 1996, June 21st of every year has become a day in the Canadian calendar that presents Aboriginal peoples with a great opportunity to express great pride for their rich diverse cultures with their families, neighbours, friends and visitors.Aborigines Day Saskatoon. - 21 June 2003. - Slides.
Historical note:
First proclaimed by the Governor General of Canada on 13 June 1996, June 21st of every year has become a day in the Canadian calendar that presents Aboriginal peoples with a great opportunity to express great pride for their rich diverse cultures with their families, neighbours, friends and visitors.Across the Great Divide: Jimmie Durham's Subversive (Self) Portraits
Áillohaš the Shaman-Poet and His Govadas-Image Drum: A Literary Ecology of Nils-Aslak Valkeapää
American Anthropologist. Vol. 105, No. 4, December 2003.
The American Indian Art World and the (Re-) Production of the Primitive: Hopi Pottery and Potters
American Indian Jewelry I: 1,200 Artist Biographies: vol. 5
The Anguish of Snails: Native American Folklore in the West
Archival Photographs in Perspective: Indian Residential School Images of Health
Artists in the Arctic
B.C. First Nations Studies [Textbook]
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
A Bead Box of My Own: The Beadwork of Métis Artist Philomene Umpherville
Beads: Symbols of Indigenous Cultural Resilience and Value
Beauty, Honor, and Tradition: The Legacy of Plains Indian Shirts
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Bone Work from Arviat
Brian Jungen: Cool, Cooler, Coolest
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Button Blanket Math: A Primary Unit, Grade 2
Resource for teaching number, pattern and space/shapes by incorporating images and forms used in First Nations art. Includes black line masters.
A Case Study in the Relationship Between Social Complexity and the Organization of Ceramic Production From the Lake Pátzcuaro Basin, Michoacán, Mexico. Volume 1
Changemakers Lesson Plans: Remote Learning
Lesson plans focus on Native Americans who are fighting invisibility and creating change through their work, contributions from the past, and current actions which will impact the future.
Coacoochee's Bones: A Seminole Saga
The Concept of Duality in Culture and Myths of Lakota Indians
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Digital Indigeneity: Digital Media's Uses for Identity Formation Education, and Activism by Indigenous People in the Northeastern United States
Disposable Red Woman: Guerrilla Art
Doctoring Divinity: Trickster, Jim Logan and the Classical Canon
Duck Lake, Aug. 2003 - Slides.
Historical note:
Early 19th Century Men's Southeast Moccasins in the Creek Style
Edgar Heap of Birds
[Edward S. Curtis's Photographs: Post-Modernism, Re-enactment, and Contextual Value]
Embodiments of Power: Nineteenth-Century Warrior Art Among the Cheyennes and Kiowas
Emerging Voices: An Analysis of Subarctic Aboriginal Basketry
Exhibiting Aboriginal Industry: A Story Behind a 'Re-Discovered' Bark Drawing From Victoria
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.