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Remote Avant-Garde: Aboriginal Art under Occupation
Reservation X: The Power of Place
Reservation X: The Power of Place in Aboriginal Contemporary Art
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
Rethinking the Prairie Page in Print Culture: Paper Presented at the Prairie Print Culture Colloquium
Explores the meaning and implications of ledger drawings made by Aboriginal men in the late nineteenth century within the context of the book culture.
A Retrospective Look at Cape Dorset Printmaking: Commemorating the 40th Anniversary
Revealing Blue on the Northern Northwest Coast
Reviews
Ritual and the Individual: An Analysis of Cibicue Painted Corrugated Pottery From Grasshopper Pueblo, Arizona
Safety for Our Sisters: Ending Violence against Native Women
Sample Cover for The Face Pullers
Sara Diamond
Saskatchewan History - The First Peoples: Plains First Nations
The Semiotic Analysis of the Representation of Arctic Inuit in the National Geographic
Settler City Limits: Indigenous Resrugence and Colonial Violence in the Urban Prairie West
Showing and Telling the Story of Nikis (My Little House): An Arts-Based Autoethnographic Journey of a Cree Adult Educator
Shuvinai Ashoona: Life & Work
Simeonie Keenalnak: Focused on the Land
Soapstone Carvers of East Africa: Not Isolated and Not Alone
Southern Cheyenne Style Moccasins: Bob Gurney's Moccasins Revisited
Staying in Place: Plains Metis Borderland Communities, 1885-1930
The Story of the Coast Salish Knitters
Surrounded by Beauty: Arts of Native America
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made To Be Ready: A Review Essay
Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.
Tail/Tale/Tell: The Transformations of Sedna into an Icon of Survivance in the Visual Arts Through the Eyes of Four Contemporary Urban Inuit Artists
Art History Thesis (M.A) -- Concordia University, 2019
Taonsayontenhroseri:ye’ne: The Power of Art in Indigenous Research with Youth
Tattoos of the Hunter-Gatherers of the Arctic
Teacher Guide for K.C. Adam's Perception: A Photo Series
"These Paintings Have Spirit": Voices Found in Childhood Artwork from Indian Residential Schools
Three Women, Three Generations: Drawings by Pitseolak Ashoona, Napatchie Pootoogook and Shuvinai Ashoona
Three Women, Three Generations. Drawings by Pitseolak Ashoona, Napatchie Pootoogook and Shuvinai Ashoona
Toward an Indigenous Feminine Animation Aesthetic
A Tradition of Evolution: The Vancouver Indigenous Media Arts Festival
The Trickster Critique: How Parody in Contemporary Native American Art Challenges Authenticity and Authority within Mainstream Museums
Truthful Engagement: Making the Witness Blanket, an Ongoing Process of Reconciliation
Unsettling Exhibition Pedagogies: Troubling Stories of the Nation with Miss Chief
Unsettling Scenes
Views in Hudson’s Bay (1825) and Peter Rindisbacher: Constructions of Indigenous and Non-Indigenous Culture in the Red River Settlement
Art Thesis (MA) -- University of Alberta, 2017.
[Visual Arts: Woodland Style Artwork]
Wanuskewin May 2001. - Slide.
Wanuskewin Oct 8th 2000. - Slide.
Historical note:
The Wanuskewin Heritage Park is located northeast of the city of Saskatoon, Saskatchewan. It opened in June 1992, after three years of planning for a park that would not only preserve centuries of cultural heritage, but also help build a bridge between First Nations and non-First Nations people of the province.War Club Construction
The Waters of Sexual Exploitation: Understanding the World of Sexually Exploited Youth
"We All Stand Side by Side": An Interview With Elizabeth LaPensée
We Interrupt This Program: Indigenous Media Tactics in Canadian Culture
Weaving Math
Uses techniques involved in creating a Coast Salish blanket to teach concepts of slope and equations in Grade 10 Mathematics Curriculum.