Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
Allan Houser Haozous: The Lifetime Work of an American Master
"Almost Lost But Not Forgotten": Contemporary Social Uses of Central Coast Salish Spindle Whorls
American Indian Basketry
Archival Photographs in Perspective: Indian Residential School Images of Health
Art, Indigenous Sovereignty, and Resistance in the Age of Big Oil: Corwin Clairmont's Two-Headed Arrow/The Tar Sands Project
Artists' Connection 5: Indigenous Perspectives
Teachers' resource uses works by Michael Barber, Carl Beam, Monique (Aura) Bedard, Janice Brant, Deron Ahsén:nase Douglas, Lorrie Gallant, Kelly Greene , Summer Hill, Janus, Nancy King (Chief Lady Bird), Quinn Smallboy and Saul Williams.
Artists of Change: Breaking Through the Millennium [Part 1]
Artists of Change: Breaking Through the Millennium [Part 2]
Artists of Change: Breaking Through the Millennium [Part 3]
Ashamed of Our Nakedness: Is There Ever a Naked Body? Ambivalence in Contemporary Indian Expressive Aesthetics
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
The Basketmaker
Beads: Symbols of Indigenous Cultural Resilience and Value
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Beadwork and the Iroquois
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Beyond the One-Liner: The Masks of Brian Jungen: The Dunlop Art Gallery, Regina, April 29-June 18, 2000
"Black Plume" photograph tinted by Laurel Wolanski
Body Marking Within New France: A Contemporary Perspective
Book Reviews
[Breaking the Ice: An Arctic Odyssey]
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Can Copyright Be Reconciled with First Nations’ Interests in Visual Arts?
Canadian Inuit Art and Coops: Father Steinman of Povungnituk
Canadian Inuit Art and Coops: Father Steinmann of Povungnituk
Changing Perspectives: Photography and First Nations Identity
Changing Perspectives: Photography and First Nations Identity
Chief Supernatural Being with the Big Eyes
Christian Artwork Exhibited
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Coast Salish: Collections: Archaeology and Ethnology of the Gulf of Georgia
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
The Concept of Duality in Culture and Myths of Lakota Indians
Concepts of Spirituality in the Works of Robert Houle and Otto Rogers with Special Consideration to Images of the Land
Contemporary Aboriginal Art Texts: Intersections of Visual Culture
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Daphne Odjig
The Dawn of Translation
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.