8th Fire Guide for Educators
8th Fire: Indigenous in the City
Aboriginal Culture Viewed Through Urban Aesthetic
Comments on the exhibition Beat Nation, that expresses freedom from oppression.
Pages 1,3 of insert entitled Raven's Eye: Special Providing News from BC & Yukon. Scanning is out of sequence for this section.
Entire issue on one pdf.
Aboriginal Research Resources
Adding Value: Rethinking Late 19th-Century Torres Strait Islander Drawings in Anthropological Inquiry
[Alena Rosen, Inuit Art, Inuit Voices: The Possibility of a Critical Inuit Art Discourse]
Alex Janvier: Reflections
Alex Janvier's Morning Star: A Metaphor for Canada’s Competing Cultures
All My Relations: Biennale of Sydney 2012
Aluminum Sioux Camps
[American Eyes on Aboriginal Art]
American Indian Arts and Crafts: The Misrepresentation Problem
American Indians and Popular Culture: Volume 2: Literature, Arts, and Resistance
Anthropology, Art and Contest
Antler Hair Combs
Discusses characteristics of different types of combs and their uses.
Any Important Form: Louis Riel in Sculpture
Art, Indigenous Sovereignty, and Resistance in the Age of Big Oil: Corwin Clairmont's Two-Headed Arrow/The Tar Sands Project
Art Shaped by the North: Gary Natomagan
Artifakes, Forgeries, and Misattributions on the Pacific Northwest Coast
Artist Corrine Hunt Mixes Traditional Art with Commercial Viability
Artist Henry Beaudry
Artists' Connection 5: Indigenous Perspectives
Teachers' resource uses works by Michael Barber, Carl Beam, Monique (Aura) Bedard, Janice Brant, Deron Ahsén:nase Douglas, Lorrie Gallant, Kelly Greene , Summer Hill, Janus, Nancy King (Chief Lady Bird), Quinn Smallboy and Saul Williams.
Autobiographic Narrative in the Drawings of Napachie and Annie Pootoogook
The Baker Lake Printmaking Revival
The Battle of Cut Knife Hill: Harriet Yellowmud Remembers
Bazaar Artist: Felicia Huarsaya Vilasante Weaving Futures by Hand
Bazaar Artists: Project Have Hope — Investing in Women and the Future of Uganda
The Best of the Best in Native Arts [Part I]
Choices in the categories of art, literature, poetry, political works, and music.
Entire issue on one pdf. To access article scroll to p.9.
Beyond True or False?: The Artificial Authenticities of Edward S. Curtis: Responses and Reactions
Book Reviews
Brian Jungen
Bringing It Home: Artists Reconnecting Cultural Heritage with Community
Bullets, Teeth and Photographs: Recognising Indigenous Australians Between the Wars
CCCA Canadian Art Database
Ceramic Production, Distribution, and Consumption in Two Classic Period Hohokam Communities
Ceramics and Polity in the Casas Grandes Area, Chihiuahua, Mexico
Challenging Dialogue: Current Relationships between Aboriginal and non-Indigenous Art and Artists
Changing Hands 3: CONNECTIONS: Contemporary Native Art in Context
Chief Supernatural Being with the Big Eyes
The Circulation and Silence of Weaving Knowledge in Contemporary Navajo Life
Clan At.óowu in Distant Lands: An Overview of Tlingit Art in European and Russian Museums
Close Encounters: The Next 500 Years
The Coast Salish Knitters and the Cowichan Sweater: An Event of National Historic Significance
Community, Conflict, Difference: New Genre Public Art in Winnipeg
Consultation of the Muses
Contemporary Canadian Aboriginal Art: Storyworking in the Public Sphere
Contemporary Canadian Aboriginal Art: Storyworking in the Public Sphere
Cover Artist: Lorne Cappo
Cradle Boards for Babies
Discusses various examples of Mohawk and Seneca boards and the techniques used to create them.