Analysis of Textile Impressions from Pottery of the Selkirk Composite
Archival Photographs in Perspective: Indian Residential School Images of Health
Art, Indigenous Sovereignty, and Resistance in the Age of Big Oil: Corwin Clairmont's Two-Headed Arrow/The Tar Sands Project
Artists' Connection 5: Indigenous Perspectives
Teachers' resource uses works by Michael Barber, Carl Beam, Monique (Aura) Bedard, Janice Brant, Deron Ahsén:nase Douglas, Lorrie Gallant, Kelly Greene , Summer Hill, Janus, Nancy King (Chief Lady Bird), Quinn Smallboy and Saul Williams.
Back from the Brink: Canada's First Nations' Right to Preserve Canadian Heritage
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
Beads: Symbols of Indigenous Cultural Resilience and Value
Bending the Rules: The Montreal Branch of the Woman's Art Association of Canada, 1894-1900
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
A Celebration of the Arts in Saskatoon - 1995.
Chief Supernatural Being with the Big Eyes
The Concept of Duality in Culture and Myths of Lakota Indians
Cracking the Glass Ceiling: Contemporary Inuit Drawing
A Cross-Cultural Approach
Cross-Cultural Lines of Inquiry: The Drawings of Pitseolak Ashoona
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Disposable Red Woman: Guerrilla Art
Dressing Under Pressure: Métis in kistapinânihk, 1862-1900
Media and Cultural Studies Thesis (MA) -- University of Alberta, 2021.
Early 19th Century Men's Southeast Moccasins in the Creek Style
Edgar Heap of Birds
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
"Faces We Remember": Assessing Visual Memory Depth among the Yupik of Chukotka and St. Lawrence Island
Examines the visual memories of Yupik and Chukotka elders based on historical photographs and the importance of physical visual collections.
Framing the Past
"Free Your Mind," from the Series Crazymaking (2007)
From Breath to Beadwork: Lessons Learned From a Trauma- Informed Yoga Series With Indigenous Adolescent Girls Under Youth Protection
Examines the use of culture with yoga and meditation as means to help at-risk Indigenous youth.
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
Glimpsing Our Past: An Archival Photo Project
The Great Shimmering
Group of Six Coloring & Activity Book
Artwork designed by youth artists from the Six Nations, Grand River Territory.
Hlk’yak’ii: To Start a Fire
Catalogue for exhibition of the same name.
Ideals of Authenticity: Euro-American Sculptural Representations of Native Americans at the World’s Columbian Exposition of 1893
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In the Balance: Indigeneity, Performance, Globalization
Indian Photographs: Amelia Frost and the Presbyterian Mission
Indians Everywhere: Paul Chaat Smith on "Americans"
Indians of North America: A Guide to LOTS
Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769
Indigenous Protocols for the Visual Arts: A Practical Guide for Navigating the Complex World of Indigenous Protocols for Cultural Expressions in the Visual Arts Sector
Information for Indigenous peoples and artists, as well as non-Indigenous audiences wanting to engage with communities.
Indigenous Women and Street Gangs: Survivance Narratives
Interpretive Guide and Hands-on Activites: The Alberta Foundation for the Arts Travelling Exhibition Program: ᐊᐧᐃᐧᓯᐦᒋᑲᐣ = Wawisihcikan = Adornment
Lesson plans for elementary and secondary school students for exhibition featuring works by Elaine Alexie, Erik Lee, and Carmen Miller. Topics include First Nations groups of central Alberta and the Boreal forest, brief survey of Indigenous art in the twentieth century, abstract art, and First Nations traditional art forms and materials.