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Aboriginal and Torres Strait Islander Visual Arts and Crafts: Study Report
Archival Photographs in Perspective: Indian Residential School Images of Health
Articles and Reviews: Geraldine Moody, Thirst Dance
Artist's Statement: David Neel
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
Beads: Symbols of Indigenous Cultural Resilience and Value
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Changemakers Lesson Plans: Remote Learning
Lesson plans focus on Native Americans who are fighting invisibility and creating change through their work, contributions from the past, and current actions which will impact the future.
The Changing Pueblo Indian Pottery Tradition: The Underside of Economic Development in Late Colonial New Mexico, 1750-1820
Collecting Contemporary Native Arts in the Boreal Forest of Western Canada
The Concept of Duality in Culture and Myths of Lakota Indians
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Digital Indigeneity: Digital Media's Uses for Identity Formation Education, and Activism by Indigenous People in the Northeastern United States
Disposable Red Woman: Guerrilla Art
Early 19th Century Men's Southeast Moccasins in the Creek Style
Earthworks: Shamanism in the Religious Experiences of Contemporary Artists in North America
Edgar Heap of Birds
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
Ffarington's Eye
Floral Decoration and Culture Change: An Historical Interpretation of Motivation
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.
Framing the Past
Frederick Alexie: Euro-Canadian Discussions of a First Nations' Artist
"Free Your Mind," from the Series Crazymaking (2007)
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Garden of Relatives Coloring Book
Colouring pages based on design that features plants and the animals associated with them.
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
Glimpsing Our Past: An Archival Photo Project
The Great Shimmering
Hudson Bay Watershed: A Photographic Memoir of the Ojibway, Cree and Oji-Cree
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In the Balance: Indigeneity, Performance, Globalization
Indian dancers
Indian Photographs: Amelia Frost and the Presbyterian Mission
Indians Everywhere: Paul Chaat Smith on "Americans"
Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769
An Interview with Susan Point
Inuit Art and HBC: Lesson Plan
Examines the company's role in fostering the development, promotion, collection and market for Inuit art. Suitable for Grades 4 to 12.