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Aborigines Day Saskatoon. - 21 June 2003. - Slide.
Historical note:
First proclaimed by the Governor General of Canada on 13 June 1996, June 21st of every year has become a day in the Canadian calendar that presents Aboriginal peoples with a great opportunity to express great pride for their rich diverse cultures with their families, neighbours, friends and visitors.Aborigines Day Saskatoon. - 21 June 2003. - Slides.
Historical note:
First proclaimed by the Governor General of Canada on 13 June 1996, June 21st of every year has become a day in the Canadian calendar that presents Aboriginal peoples with a great opportunity to express great pride for their rich diverse cultures with their families, neighbours, friends and visitors.Acquiring and Exhibiting a Nuu-Chah-Nulth Ceremonial Curtain
Across the Great Divide: Jimmie Durham's Subversive (Self) Portraits
Adult Inuk guide. - Portrait.
Adult Inuk guide. - Portrait.
Adult Inuk Male Filleting Arctic Trout.
Adult Inuk Male Skinning Seal.
Adult Inuk Male Skinning Seal.
Áillohaš the Shaman-Poet and His Govadas-Image Drum: A Literary Ecology of Nils-Aslak Valkeapää
American Anthropologist. Vol. 105, No. 4, December 2003.
The American Indian Art World and the (Re-) Production of the Primitive: Hopi Pottery and Potters
American Indian Jewelry I: 1,200 Artist Biographies: vol. 5
The Anguish of Snails: Native American Folklore in the West
Artists in the Arctic
Arviat Stone Sculpture: Born of the Struggle with an Uncompromising Medium.
B.C. First Nations Studies [Textbook]
A Bead Box of My Own: The Beadwork of Métis Artist Philomene Umpherville
Beauty, Honor, and Tradition: The Legacy of Plains Indian Shirts
Bone Work from Arviat
Brian Jungen: Cool, Cooler, Coolest
Button Blanket Math: A Primary Unit, Grade 2
Resource for teaching number, pattern and space/shapes by incorporating images and forms used in First Nations art. Includes black line masters.
A Case Study in the Relationship Between Social Complexity and the Organization of Ceramic Production From the Lake Pátzcuaro Basin, Michoacán, Mexico. Volume 1
Changemakers Lesson Plans: Remote Learning
Lesson plans focus on Native Americans who are fighting invisibility and creating change through their work, contributions from the past, and current actions which will impact the future.
Coacoochee's Bones: A Seminole Saga
Collectors of Navajo Rugs: An Analysis and Comparison of the Marjorie Merriweather Post and Washington Matthews Smithsonian Collection
Copyright Issues Regarding Inuit Art
Brief discussion of artists' right to control reproduction and exhibition of their work and their moral right to the integrity of their creations.
Culture and Tourism in the Navajo Country
Daughter of Adult Inuk Guide. - Portrait.
Digital Indigeneity: Digital Media's Uses for Identity Formation Education, and Activism by Indigenous People in the Northeastern United States
Direct Cinema: Filmmaking Style and Its Relationship to "Truth"
Doctoring Divinity: Trickster, Jim Logan and the Classical Canon
Duck Lake, Aug. 2003 - Slides.
Historical note:
[Edward S. Curtis's Photographs: Post-Modernism, Re-enactment, and Contextual Value]
Embodiments of Power: Nineteenth-Century Warrior Art Among the Cheyennes and Kiowas
Emerging Voices: An Analysis of Subarctic Aboriginal Basketry
The Eskimo Art Business
Exhibiting Aboriginal Industry: A Story Behind a 'Re-Discovered' Bark Drawing From Victoria
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.
Framing the West: Race, Gender, and the Photographic Frontier in the Pacific Northwest
Frank Shebageget: Quantification
Garden of Relatives Coloring Book
Colouring pages based on design that features plants and the animals associated with them.