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Aboriginal Cultural Connections: A Child Protection Resource Guide
About Face
Abstract Haida Explorations: Cut Paper Designs
Students create formline design artwork inspired by works by Robert Davidson. Lesson plan intended for Grades 4-7.
Abstract Haida Explorations: Painting Using Stencils
Students create formline design artwork inspired by works by Robert Davidson. Lesson plan intended for Kindergarten to Grade 3.
Acorn Soup is Good Food: L. Frank, News from Native California, and the Intersections of Literary and Visual Arts
Acts of Visual Sovereignty: Photographic Representations of Cultural Objects
'Addressing a Great Silence': Black Diggers and the Aboriginal Experience of War
Alternative Paths: Mapping Addiction in Contemporary Art by Landon Mackenzie, Rebecca Belmore, Manasie Akpaliapik, and Ron Noganosh
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Appropriating City Spaces: Exploring Practice, Process and Policy in Aboriginal Street Art
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Artist's Statement
ArtTalk: Conversations on Northwest Native Art: ArtTalk Keynote: We Got Styles!
ArtTalk: Conversations on Northwest Native Art: Session 1: Collaborative Research and Community-Based Scholarship Panel Discussion
ArtTalk: Conversations on Northwest Native Art: Session 2: Retrospectives on Northwest Coast Art History and Indigenous Methodologies
[ArtTalk: Conversations on Northwest Native Art: Session 3: Panel Discussion]: Contemporary Northwest Coast Art & Challenging Pre-Conceptions
An Athabaskan Tathouke Birchbark Basket: Alaska Native Judy Swanson, Deg Hit'an Nation, 1995
Authentic Indigenous Arts Initiative
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Basketmaking Guides and the Appropriation of Indigenous Basketry
Bearman AUTHENTICS
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Birch Bark Biting
Book Reviews
The Canadian Indian
Change on the Horizon: The Intertwined History of Politics and Art in Nunatsiavut
Collector's Choice: Michael Massie and Billy Gauthier
Colonial Costuming: Representations of Playing Indian in Photographs, Settler Colonialism and the Appropriation of Native North American Culture
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
A Conversation with the World
Cree, Canadian and American: Negotiating Sovereignties with Jeff Lemire's Equinox and "Justice League Canada"
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Curator's Choice: Four Institutions Select Works From Their Nunatsiavut Collections
Curator's Choice: Ikpiarjuk Abstract
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Developing Indigenous Visual Arts Transnationally and Across Genres
Dinjii Zhuh: Productive Disruptions
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
Editor's Note [American Indian Quarterly, Volume 39, Number 1]
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
Evaluation of the Kòts'iìhtła ("We Light the Fire") Project: Building Resiliency and Connections through Strengths-Based Creative Arts Programming for Indigenous Youth
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
Explorations in Haida Formline Design: Abstract Paintings
Four lessons designed for Grades 8-12.