"Eskimo Ceramics"
"Eskimo Ceramics"
"Eskimo Ceramics"
"Eskimo Ceramics"
First Peoples' Heritage, Language & Culture Council
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.
From a Whisper to a Scream
Garden of Relatives Coloring Book
Colouring pages based on design that features plants and the animals associated with them.
Germaine Arnktauyok: An Inner Sight
A Half-Life of Cardio-Pulmonary Function: Poems and Paintings
The Haudenosaunee Flag Raising: Cultural Symbols and Intercultural Contact
High Tech Storytellers, Unsettling Acts, Decolonizing Pedagogies
History of Cape Dorset and the West Baffin Co-operative
Holy Lodge of the Blood Indians
How the Holy Woman Got One of Each All That Belongs to Each Different Society
How the Horn Society Will Take over When There Is No Holy Lodge
I Am But a Little Woman
Imagining and Visualizing “Indianness” in Trudeauvian Canada: Joyce Wieland’s The Far Shore and True Patriot Love
Imagining Drumbytes and Logging in Powwows: Exploring the Production of Community in Canadian-Based Aboriginal New Media Art
Indian and Metis Days Parade
Indian and Metis Friendship Centre Official Opening [Prince Albert]
"Indian men listening to Premier Ross Thatcher and Hon. Allan Guy in an Indian school."
Indian Metis Days Pow Wow and Sports Events
Indians in Eden: Wabanakis and Rusticators on Maine's Mount Desert Island, 1840s-1920s
Indigenous (Re)Memory and Resistance: Video Works By Dana Claxton
Indigenous Women and Feminism: Politics, Activism, Culture
Introduction to Blackfoot Quillworking Techniques
Introduction to Determinants of First Nations, Inuit and Métis Peoples Health in Canada
Inuit Art and HBC: Lesson Plan
Examines the company's role in fostering the development, promotion, collection and market for Inuit art. Suitable for Grades 4 to 12.
Inuit Art: Markers of Cultural Resilience
"It's a Double-Beat Dance": The "Indian Cowboy" in Indigenous Literature, Art, and Film
Itee Pootoogook "... A Comfort Level in the Medium"
James Earl Fraser's The End of the Trail: Affect and the Persistence of an Iconic Indian Image
Jimmie Durham and the Carpentry of Ambivalence
Kaahsinnooniksi Ao'toksisawooyawa: Reconnections with Historic Blackfoot Shirts
Kananginak Pootoogook: Celebrating Five Decades of Artistic Achievement
Kent Monkman: Life and Work
Kinscapes, Counter Histories, and Nineteenth-Century Tintypes
Examines a photograph of a North-West Mounted Police officer to discuss how Kinscape can be used to discover more interpretive possibilities within the history of the prairies.
Kiugak Ashoona: Stories and Imaginings from Cape Dorset
A Lakota Shirt
The Land Has Memory: Indigenous Knowledge, Native Landscapes, and the National Museum of the American Indian
Last Good Sundance on the Blood Reserve
Lauralee K. Harris
Learn about Western Canada in the Early 1900s through the Art of C.D. Hoy: Teacher Resource Guide for Grades 7-12
Hoy was a photographer who worked in Quesnel, British Columbia at the start of the twentieth century, when the Fraser River and Cariboo Gold Rushes were taking place, resulting in different cultural groups coming together in one location. Many of his portraits were of Indigenous people living in the area. Designed to complement the online exhibition Through the Lens of C.D. Hoy: How a Chinese Canadian Photographer Memorialized a Community.
A Legal Love Letter to My Children: If These Beads Could Talk
Discusses possible changes to the legal system through Indigenous pedagogies.