The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 images - Indigenous Woman and Daughter
The Face Pullers: Ch.4 Images - " A Mystery to Solve"
The Face Pullers: Ch.4 Images - " A Mystery to Solve"-2
The Face Pullers: Ch.4 Images - Big Belly
The Face Pullers: Ch.4 Images - Corporal and "Scouts"
The Face Pullers: Ch.4 Images - Inside Medicine Lodge
The Face Pullers: Ch.4 Images - Joe Big Plume
The Face Pullers: Ch.4 Images - Spring Chief
The Face Pullers: Ch.4 Images - Walking Buffalo
The Face Pullers: Ch.4 Images - Yellow Horse, Head Chief
The Face Pullers - Unused Photos- Many Shots and White Headed Chief
First Peoples' Heritage, Language & Culture Council
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.
From a Whisper to a Scream
Garden of Relatives Coloring Book
Colouring pages based on design that features plants and the animals associated with them.
Germaine Arnktauyok: An Inner Sight
A Half-Life of Cardio-Pulmonary Function: Poems and Paintings
The Haudenosaunee Flag Raising: Cultural Symbols and Intercultural Contact
High Tech Storytellers, Unsettling Acts, Decolonizing Pedagogies
History of Cape Dorset and the West Baffin Co-operative
I Am But a Little Woman
Images Used: Chapter 2 (A Dying Race): "Betty Hunter -- Stoney".
Images Used: Chapter 2 (A Dying Race): "Ethnologist Measuring and Photography Indian".
Images Used: Chapter 2 (A Dying Race): Postcard entitled "Beardy's Warriors".
Images Used: Chapter 2 (A Dying Race): Unidentified Elderly Woman
Imagining and Visualizing “Indianness” in Trudeauvian Canada: Joyce Wieland’s The Far Shore and True Patriot Love
Imagining Drumbytes and Logging in Powwows: Exploring the Production of Community in Canadian-Based Aboriginal New Media Art
"Indian Ceremonies, Blackfoot Indians, Canadian North-West."
Indians in Eden: Wabanakis and Rusticators on Maine's Mount Desert Island, 1840s-1920s
Indigenous (Re)Memory and Resistance: Video Works By Dana Claxton
Indigenous Women and Feminism: Politics, Activism, Culture
Introduction to Blackfoot Quillworking Techniques
Introduction to Determinants of First Nations, Inuit and Métis Peoples Health in Canada
Inuit Art and HBC: Lesson Plan
Examines the company's role in fostering the development, promotion, collection and market for Inuit art. Suitable for Grades 4 to 12.
Inuit Art: Markers of Cultural Resilience
"It's a Double-Beat Dance": The "Indian Cowboy" in Indigenous Literature, Art, and Film
Itee Pootoogook "... A Comfort Level in the Medium"
James Earl Fraser's The End of the Trail: Affect and the Persistence of an Iconic Indian Image
Jimmie Durham and the Carpentry of Ambivalence
Kaahsinnooniksi Ao'toksisawooyawa: Reconnections with Historic Blackfoot Shirts
Kananginak Pootoogook: Celebrating Five Decades of Artistic Achievement
Kent Monkman: Life and Work
Kinscapes, Counter Histories, and Nineteenth-Century Tintypes
Examines a photograph of a North-West Mounted Police officer to discuss how Kinscape can be used to discover more interpretive possibilities within the history of the prairies.