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Aboriginal and Torres Strait Islander Healing Programs: A Literature Review
Aboriginal Cultural Connections: A Child Protection Resource Guide
About Face
Abstract Haida Explorations: Cut Paper Designs
Students create formline design artwork inspired by works by Robert Davidson. Lesson plan intended for Grades 4-7.
Abstract Haida Explorations: Painting Using Stencils
Students create formline design artwork inspired by works by Robert Davidson. Lesson plan intended for Kindergarten to Grade 3.
Acorn Soup is Good Food: L. Frank, News from Native California, and the Intersections of Literary and Visual Arts
Acts of Visual Sovereignty: Photographic Representations of Cultural Objects
'Addressing a Great Silence': Black Diggers and the Aboriginal Experience of War
Allen Sapp Has Earned Respect of Both Cultures
Alternative Paths: Mapping Addiction in Contemporary Art by Landon Mackenzie, Rebecca Belmore, Manasie Akpaliapik, and Ron Noganosh
American Indian Women as Art Educators
Appropriating City Spaces: Exploring Practice, Process and Policy in Aboriginal Street Art
Artist's Statement
Arts and Crafts, Culture and Environment: Triple Treat in Phoenix
ArtTalk: Conversations on Northwest Native Art: ArtTalk Keynote: We Got Styles!
ArtTalk: Conversations on Northwest Native Art: Session 1: Collaborative Research and Community-Based Scholarship Panel Discussion
ArtTalk: Conversations on Northwest Native Art: Session 2: Retrospectives on Northwest Coast Art History and Indigenous Methodologies
[ArtTalk: Conversations on Northwest Native Art: Session 3: Panel Discussion]: Contemporary Northwest Coast Art & Challenging Pre-Conceptions
An Athabaskan Tathouke Birchbark Basket: Alaska Native Judy Swanson, Deg Hit'an Nation, 1995
Authentic Indigenous Arts Initiative
Bearman AUTHENTICS
Birch Bark Biting
Bishop Newnham distributing a treat to the Native peoples
Buffalo Narrows Trapper John Hansen
Change on the Horizon: The Intertwined History of Politics and Art in Nunatsiavut
Collector's Choice: Michael Massie and Billy Gauthier
Colonial Costuming: Representations of Playing Indian in Photographs, Settler Colonialism and the Appropriation of Native North American Culture
Color Symmetry: A Comparative Analysis of Contemporary and Native American Art
A Conversation with the World
Cree, Canadian and American: Negotiating Sovereignties with Jeff Lemire's Equinox and "Justice League Canada"
Curator's Choice: Four Institutions Select Works From Their Nunatsiavut Collections
Curator's Choice: Ikpiarjuk Abstract
Dinjii Zhuh: Productive Disruptions
Editor's Note [American Indian Quarterly, Volume 39, Number 1]
Evaluation of the Kòts'iìhtła ("We Light the Fire") Project: Building Resiliency and Connections through Strengths-Based Creative Arts Programming for Indigenous Youth
Explorations in Haida Formline Design: Abstract Paintings
Four lessons designed for Grades 8-12.
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.