Tail/Tale/Tell: The Transformations of Sedna into an Icon of Survivance in the Visual Arts Through the Eyes of Four Contemporary Urban Inuit Artists
Art History Thesis (M.A) -- Concordia University, 2019
Taonsayontenhroseri:ye’ne: The Power of Art in Indigenous Research with Youth
Teacher Guide for K.C. Adam's Perception: A Photo Series
Teepees and Trade-marks: Aboriginal Peoples, Stereotypes and Intellectual Property
Telling Stories Through Cloth: Chia Yang Khang
"These Paintings Have Spirit": Voices Found in Childhood Artwork from Indian Residential Schools
Three Indians In Snow Scene
The Three Men Who Captured Riel in 1885
Through an Indigenous Lens: Understanding Indigenous Masculinity and Street Gang Involvement
Through Native Lenses: American Indian Vernacular Photographies and Performances of Memories, 1890-1940
Through the Lens of Our Cameras: Children's Lived Experience with Food Security in a Canadian Indigenous Community
Tohono O'Odham Basketry: An Enduring Tradition
Touchstone: Narratives in Contemporary Canadian Inuit Art
Art Thesis (M.A) -- Dalhousie University, 2015.
Traditional Knowledge Background Briefs
Transformation Through Drum Building: A Look at One School's Journey and Learning Through Crafting
Troops enroute to N.W. Rebellion, 1885
The Truth in the Classroom
Truthful Engagement: Making the Witness Blanket, an Ongoing Process of Reconciliation
University Offering New Options for Art Students
Announces the Aboriginal Visual Culture Program which focuses on how to make art and the history of that process.
Entire issue on one pdf. To access article scroll to p.14.
Unlimited Edition: An Art Historical Framework for Indigenous Artists in Printmaking
Unravelling the Yamaji Imaginings of Alexander Morton and Daisy Bates
Unreserved: The Work of Louie Gong: Educational Resource
Unsettled Borders and Memories: A "Local" Indigenous Perspective on Contemporary Globalization
Unsettling Exhibition Pedagogies: Troubling Stories of the Nation with Miss Chief
Unsettling the Contemporary: Critical Indigeneity and Resources in Art
The Uprising in the Northwest - Sketch. - 25 April 1885.
Voyageur Re-presentations and Complications: Frances Anne Hopkins and the Métis Nation of Ontario
A Walk in the Woods with Murv Jacobs
Walking With Our Sisters
Warriors of the Plains: Native American Regalia & Crafts
We Are Still Here: A Photographic History of the American Indian Movement
We Were So Far Away: The Inuit Experience of Residential Schools: Activity Guide
Weaving History Video
Well-Suited
What's the Scoop: Carey Newman and the Witness Blanket
Talk by the creator of large-scale art installation comprised of objects gathered from the sites of residential schools across Canada. Duration: 1:24:11.
What Shall We Do with the Bodies? Reconsidering the Archive in the Aftermath of Fraud
When Consumerism and Art Collide: A Question of Identity
White Cap, Sioux Chief
Who Was “Big George”? An Exploration and Critique of Aboriginalist Discourse Within Historical Photographic and Written Texts
Media Culture and the Arts Thesis (PhD) -- Curtin University, 2015
"Why Don't You Just Drop This Indian Stuff": The Living Legacy of Indigenous Selfhood
William Bleasdell Cameron and Horse Child
Historical note:
Winnipeg Cavalry at Fort Qu'Appelle, North-West Rebellion, 1885
Witness: Pieces of History
Wm. Scott and T. Pike in front of Humboldt Telegraph Station
Wokiksuye: The Politics of Memory in Indigenous Art, Monuments, and Public Space
Women and Ledger Art: Four Contemporary Native American Artists
Women and Ledger Art: Four Contemporary Native American Artists
Wounded Carried to the Rear from the Fight at Fish Creek - Sketch. - 16 May 1885
Yamǫ́rıa: The One Who Travels
Yamǫ́rıa was a powerful man who helped the ancient Dene by destroying giant animals, separating animals from humans, and giving laws to enable the people to live together in harmony.
Website contains links to biographies of Dene Elders and recorded stories by them and Dene legends, laws and artwork.