Transformation Through Drum Building: A Look at One School's Journey and Learning Through Crafting
Transitions: [Contemporary Canadian Indian and Inuit Art]
Trickster in Contemporary Native Art and Thought: The Indigenous Cultural Language of Bob Haozous
Trickster in Contemporary: The Indigenous Cultural Language of Bob Haozous
Tricksters in the Press
Troops enroute to N.W. Rebellion, 1885
The Truth in the Classroom
Truthful Engagement: Making the Witness Blanket, an Ongoing Process of Reconciliation
Unlimited Edition: An Art Historical Framework for Indigenous Artists in Printmaking
Unravelling the Yamaji Imaginings of Alexander Morton and Daisy Bates
Unsettled Borders and Memories: A "Local" Indigenous Perspective on Contemporary Globalization
Unsettling Exhibition Pedagogies: Troubling Stories of the Nation with Miss Chief
The Uprising in the Northwest - Sketch. - 25 April 1885.
Ute Leaders, 1868: Photographs Courtesy of the National Anthropological Archives, Smithsonian
A Visual Autobiography: The Self-Portraits of Carl Beam
Visual Power: 21st Century Native American Artists/Intellectuals
Curator's overview of exhibition of the same name. Discusses the work of selected artists, including Norman Akers, George Longfish, Gail Tremblay, Edgar Heap of Birds, Duane Slick, and Nadema Agard.
Joint issue with: Indigenous Studies Today Issue 1, Spring 2006.
The Waters of Venice: Rebecca Belmore at the 51st Biennale
The Way of Inuit Art: Aesthetics and History in and Beyond the Arctic
We Are Still Here: A Photographic History of the American Indian Movement
We Were So Far Away: The Inuit Experience of Residential Schools: Activity Guide
Well-Suited
What's the Scoop: Carey Newman and the Witness Blanket
Talk by the creator of large-scale art installation comprised of objects gathered from the sites of residential schools across Canada. Duration: 1:24:11.
What Shall We Do with the Bodies? Reconsidering the Archive in the Aftermath of Fraud
When Consumerism and Art Collide: A Question of Identity
"Where the Light Comes Through": A Commission in Stained Glass by Kenojuak Ashevak
White Cap, Sioux Chief
Who is artinjun.ca?
Who Was “Big George”? An Exploration and Critique of Aboriginalist Discourse Within Historical Photographic and Written Texts
Media Culture and the Arts Thesis (PhD) -- Curtin University, 2015
"Why Cheyenne?"
William Barak and the Affirmation of Tradition
William Bleasdell Cameron and Horse Child
Historical note:
Winnipeg Cavalry at Fort Qu'Appelle, North-West Rebellion, 1885
Witness: Pieces of History
Wm. Scott and T. Pike in front of Humboldt Telegraph Station
Wokiksuye: The Politics of Memory in Indigenous Art, Monuments, and Public Space
Women and Ledger Art: Four Contemporary Native American Artists
Women of Labrador: Frontrunning Inuit Artists: Josephina Kalleo, Garmel Rich, and Nellie Winters
Wounded Carried to the Rear from the Fight at Fish Creek - Sketch. - 16 May 1885
Yamǫ́rıa: The One Who Travels
Yamǫ́rıa was a powerful man who helped the ancient Dene by destroying giant animals, separating animals from humans, and giving laws to enable the people to live together in harmony.
Website contains links to biographies of Dene Elders and recorded stories by them and Dene legends, laws and artwork.
Yanktonai Beadwork and Other Souvenir Items From Cannon Ball Community, North Dakota
"You're Always More Famous When You Are Banished": Gerald Vizenor on Citizenship, War and Continental Liberty
Zareba and Sleeping Soldiers at Batoche
Historical note:
A zareba is an encampment used as a base of attack and defense."The Zareba Batoche, N.W. Rebellion, 1885"
Historical note:
A zareba is a stockade made of bushes: an outdoor enclosure, especially one made of thorn bushes and used as protection around a campsite or village.Pagination
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