Anglican Journal, vol. 126, no. 2, February 2000, p. 1
Description
Canadian Museum of Civilization exhibition includes work by Tsimshian artist Roy Henry Vickers of British Columbia and Inuit printmaker Pudlo Pudlat of Cape Dorset.
Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 30-37
Description
Looks at research and collaboration between author and curator for an exhibition involving a stay in Cape Dorset working with the featured women artists.
Entire issue on one pdf. To access article, scroll to page 30.
BC Studies, no. 125/126, Spring/Summer, 2000, pp. 147-162
Description
Discusses how Emily Carr's idealized view of First Nations glossed over many of the social problems they faced; and how she chose to share images of what she viewed was the "vanishing" or "disappearing" Indian.
American Indian Culture and Research Journal, vol. 14, no. 1, 1990, pp. 127-181
Description
Book reviews of:
Powhatan's Mantle: Indians in the Colonial Southeast edited by Peter Wood.
Navajo Textiles: The William Randolph Hearst Collection by Nancy J. Blomberg.
Utmost Good Faith: Patterns of Apache-Mexican Hostilities in Northern Chihuahua Border Warfare, 1821-1848 by William B. Griffen.
The Confederate Cherokees: John Drew's Regiment of Mounted Rifles by W.
American Indian Culture and Research Journal, vol. 14, no. 3, 1990, pp. 93-174
Description
Book reviews of:
As Long as the Rivers Run: Hydroelectric Development and Native Communities in Western Canada by James B. Waldram.
Sun Journey: A Story of Zuni Pueblo by Ann Nolan Clark.
Maricopa Morphology and Syntax by Lynn Gordon.
The Cheyenne Nation: A Social and Demographic History by John H. Moore.
Pride of the Indian Wardrobe-Northern Athapascan Footwear by Judy Thompson.
Sagebrush Soldier: Private William Earl Smith's View of the Sioux War of 1876 by Sherry L.
Canadian Woman Studies, vol. 11, no. 1, Feminism & Visual Art: Le feminisme et l art visuel, 1990, pp. 50-51
Description
Discusses past and continued racism directed at Aboriginal people in Canada, and the segregation of their art because of their race.
Excerpt from a speech given at the opening of the Diversities exhibition mounted at the Glenbow Museum.
Inuit Art Quarterly, vol. 15, no. 1, Spring, 2000, pp. 46-48
Description
Curatorial notes for an exhibition mounted at the McMichael Canadian Art Collection, Kleinburg, Ontario, May 15 to October 31, 1999.
Entire issue on one pdf. To access article, scroll to page 46.
Virtual exhibition deals with contemporary artists' response to past colonization.
Contains links to: Tolerating Tourists, Changing Reservation Realities, School Bells and Haircuts, and Beyond Smoke and Mirrors.