Anglican Journal, vol. 126, no. 2, February 2000, p. 1
Description
Canadian Museum of Civilization exhibition includes work by Tsimshian artist Roy Henry Vickers of British Columbia and Inuit printmaker Pudlo Pudlat of Cape Dorset.
Consists of an interview on the origins of the Holy Lodge; the story of the Holy Turnip (same story as IH-AA.020); the story of the elk woman and her jealous husband; the story of the widows who offered themselves to the sun and how these events led to the offering ceremony and then to the Holy Lodge (This account continues on IH-AA.112)
Consists of an interview with George First Rider where he gives an account of the original Holy Lodge. (It is a follow-up to IH-AA.112)Note: Dave Melting Tallow, interpreter. Joanne Greenwood, transcriber.
File contains 10 negatives from the Indian Metis Days Pow Wow and Sports Events held in Prince Albert, SK on June 21, 1970. All images show Pow Wow dancers in traditional dress.
Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 30-37
Description
Looks at research and collaboration between author and curator for an exhibition involving a stay in Cape Dorset working with the featured women artists.
Entire issue on one pdf. To access article, scroll to page 30.
BC Studies, no. 125/126, Spring/Summer, 2000, pp. 147-162
Description
Discusses how Emily Carr's idealized view of First Nations glossed over many of the social problems they faced; and how she chose to share images of what she viewed was the "vanishing" or "disappearing" Indian.
There are 28 photographs of the Louis Riel Race in Saskatoon. Pictures of people running, canoeing and doing various other activities in July, 1970. fifteen of these pictures were selected and scanned for the database.
Consists of an interview with George First Rider where he tells the story of a medicine man named Bear Hat (later renamed Curlew). He tells how Bear Hat was revived after serious injury and how Bear Hat healed a young man wounded in a battle.
Consists of an interview with George First Rider where he tells the story of a boy given supernatural powers by the bears and of his subsequent success as a healer of his own wounds and those of other people or animals.
Inuit Art Quarterly, vol. 15, no. 1, Spring, 2000, pp. 46-48
Description
Curatorial notes for an exhibition mounted at the McMichael Canadian Art Collection, Kleinburg, Ontario, May 15 to October 31, 1999.
Entire issue on one pdf. To access article, scroll to page 46.
Virtual exhibition deals with contemporary artists' response to past colonization.
Contains links to: Tolerating Tourists, Changing Reservation Realities, School Bells and Haircuts, and Beyond Smoke and Mirrors.