Great Plains Quarterly, vol. 31, no. 2, Spring, 2011, pp. 105-123
Description
Looks at Poolaw's technique of dramatically posing subjects which he gained through film-making experience and provides an overview of various photographs taken.
Inuit Art Quarterly, vol. 15, no. 2, Summer, 2000, pp. 4-16
Description
Discusses, in part one of a three-part series, the aesthetic and logic of early still photography in the Arctic.
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Entire issue on one pdf. To access article, scroll to page 4.
Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 4-11
Description
Looks at the special type of photojournalism developed by Inuit in Nunavik and the profiles and works of independent photographers.
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Access Part Two
Entire issue on one pdf. To access article, scroll to page 4.
Inuit Art Quarterly, vol. 15, no. 3, Fall, 2000, pp. 4-15
Description
Looks at the work of two photographers who deal with the same topic and geographical region but with radically different results.
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Access Part Two
Entire issue on one pdf. To access article, scroll to page 4.
Decolonization, vol. 3, no. 1, Indigenous Art, Aesthetics and Decolonial Struggle, 2014, pp. 48-72
Description
Examines how an Inuit photographer and filmmaker have attempted to dispel common stereotypes about the Inuit people and preserve and enhance Inuit culture.
Book review of: Country of the Heart by Deborah Bird Rose with Nancy Daiyi, Kawthy Deveraux, Margaret Daiyi, Linda Ford and April Bright.
Scroll down to page 193 to read review.
Artist discuses the work Welcome to the Studio which was inspired by the Notman Photographic Archives in the McCord Museum and Gustave Corbet's The Artist's Studio.
Duration: 1:10:56.
Records in the Margaret Baker fonds collection tell the story of the development of the Wahpeton reserve and Lucy Baker's activities as a missionary teacher. Reflects stereotypical views of the time.
Tribal College Journal of American Indian Higher Education, vol. 26, no. 2, Workforce Development, Winter, 2014
Description
Presents research project results aimed to understand food environment of a tribal community and gives recommendations to facilitate healthier food choices.
Folder containing newspaper clippings, captions, didactic panels from and relating to a photographic exhibition entitled "First Nations of the Southern Prairies" hosted at the Medicine Hat Museum and Art Gallery.
Imagining Resistance: Visual Culture and Activism in Canada
[Cultural Studies Series]
E-Books » Chapters
Author/Creator
Claudette Lauzon
Description
Discusses the photographic series Scouting for Indians which documents and challenges mainstream representations of Aboriginals.
Excerpt from Imagining Resistance: Visual Culture and Activism in Canada edited by Kirsty Robertson and J. Kerri Cronin.
Discussion of images of archival treaty illustrations and photographs. Plates are divided into three groups: Plates 1-4 are treaty negotiations from 1871 to 1899; Plates 5-8 are treaty annuity payments; Plates 9-12 are treaty days dealing with post-treaty issues.
Looks at the dominant visual representations of Native Americans and the use of photography as a form of resistance to racist photographic representations.
Saskatchewan History, vol. 52, no. 1, Spring, 2000, pp. 16-
Description
A short article accompanying and commenting on selected photographs that can be found throughout the issue.
Entire issue on one .pdf, scroll to page 16.
Alaska State Museums Bulletin, no. 43, August 23, 2011, p. [?]
Description
Overview of the use of photography to portray the indigenous populations and in mapping and surveying during the 19th and early 20th centuries. Includes photographs