Decolonization, vol. 3, no. 1, Indigenous Art, Aesthetics and Decolonial Struggle, 2014, pp. 48-72
Description
Examines how an Inuit photographer and filmmaker have attempted to dispel common stereotypes about the Inuit people and preserve and enhance Inuit culture.
Book review of: Country of the Heart by Deborah Bird Rose with Nancy Daiyi, Kawthy Deveraux, Margaret Daiyi, Linda Ford and April Bright.
Scroll down to page 193 to read review.
Artist discuses the work Welcome to the Studio which was inspired by the Notman Photographic Archives in the McCord Museum and Gustave Corbet's The Artist's Studio.
Duration: 1:10:56.
Tribal College Journal of American Indian Higher Education, vol. 26, no. 2, Workforce Development, Winter, 2014
Description
Presents research project results aimed to understand food environment of a tribal community and gives recommendations to facilitate healthier food choices.
The Face Pullers: Photographing Native Canadians, 1871-1939
Images » Photographs
Description
Black and white photograph of a group of Blackfeet at the Calgary Stampede as spectators. They wear European styled clothing.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
A photograph of the cast of the first play performed by School for the Deaf, entitled "The Historical Life of the Indians." Photo taken front of school. The cast appears to be all non-Aboriginal except for perhaps the girl seated at right in front row with a white doll in a papoose style wrapping. They wear stereotypical Indian style costumes fashioned out of [burlap?] All have head-bands or hats with feathers and one wears a mask. On the back is written: Xmas 1932.
Humanities, Social Sciences and Social Justice in Education Thesis (Ph.D.)--Ontario Institute for Studies in Education of the University of Toronto, 2014