Communities of Grief: Surviving War in the Fiction of Ralph Salisbury
Community Voices: Traditional Native Culture and Spirituality: A Way of Life That Governs Us
Concocting Terrorism off the Reservation: Liberal Orientalism in Sherman Alexie’s Post-9/11 Fiction
Connecting Myself to Indian Residential Schools and the Sixties Scoop
Delves into an Indigenous women sharing her own personal experiences in residential school and the sixties scoop with her daughter.
Contemporary Native American Fiction (1968-2001): Subject-ivity and Identity
Contemporary Native American Women Poets
Contemporary Native Women's Voices in Literature
Looks at one way to cross the cultural boundary in Aboriginal literature by examining the purpose of author Maria Campbell, in Halfbreed, Beatrice Culleton, in In Search of April Raintree, and Lee Maracle, in I Am Woman.
Contesting White Knowledge: Yolngu Stories from World War II
A Conversation With Lorna Dee Cervantes
A Conversation with Simon Ortiz
Conversations in Story(ality)
COVID-19 and Indigenous Health and Wellness: Our Strength is in Our Stories: An RSC Collection of Stories
COVID 19: The Changing State of the Inner City: Strengthening Community in a Time of Isolation
Creative Arts, Culture, and Healing: Building an Evidence Base
Cree Intellectual Traditions in History
[Cree Star Stories]
The Critique of Violent Atonement in Sherman Alexie's Indian Killer and David Treuer's The Hiawatha
Crooked Sky
Crossings of Indigenousness, Feminism, and Gender
[Cry of the Eagle: Encounters With a Cree Healer]
Cugtun Alngautat: The History and Development of a Picture Text Among the Nuniwarmiut Eskimo, Nunivak Island, Alaska
Cultural Resilience: Voices of Native American Students in College Retention
Cultural Resistance and "Playing Indian" in Thomas King's "Joe the Painter and the Deer Island Massacre"
Cultural Safety: Nurses' Accounts of Negotiating the Order of Things
Culture, Race and Identity: Australian Aboriginal Writing
Cultures in Conflict: The Problem of Discourse
Discussion on the problem of discourse in the Dunne-za/Cree trial, which pitted written documents against knowledge gained from the oral tradition of First Nations peoples.
D'Arcy McNickle: An Annotated Bibliography of His Published Articles and Book Reviews in a Biographical Context
Daily Life of the Inuit
Daisy Bates, Grand Dame of the Desert
Dancing That Way, Things Began to Change: The Ghost Dance as Pantribal Metaphor in Sherman Alexie's Writing
"Dave, Come on": Indigenous Identities and Language Play in Yves Sioui Durand's Hamlet-le-Malécite
Dead Men Do Tell Tales: The Existential Significance of the Dead in Four Sheets to the Wind
Dear Shorty
Decolonizing Gender: Indigenous Feminism and Native American Literature
Deep Creek
Developing Indigenous Visual Arts Transnationally and Across Genres
Digital Storytelling in Indigenous Education: Decolonizing Journey for a Métis Community
Discursive and Mediatic Battles in Thomas King's Green Grass, Running Water
Disrupting Literature: Facilitating Indigenous Book Clubs
Documenting Ethnic Cleansing in North America: Creating Unseen Tears
Don Amero - [Windspeaker Confidential]
Interview with Métis acoustic musician Don Amero.
Entire issue on one pdf. To access article scroll to p.19.
"Don't Speak For Me": Practicing Oral History Amidst the Legacies of Conflict
A Double-Bladed Knife: Subversive Laughter in Two Stories by Thomas King
Analysis of two short stories, Joe the Painter and the Deer Island Massacre and One Good Story, That One, commenting on King's use of irony and humor.