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Alaska Iñupiaq Skin-Sewing Designs: A Portal into Cultural Identity
Cross Cultural Studies Master's Project (M.A) -- University of Alaska Fairbanks, 2018.
Approaches to Healing after a Trauma: Eden Robinson’s Monkey Beach and Tomson Highway’s Kiss of the Fur Queen
Art as a Weapon: The Inverted Gaze in Julius Lips The Savage Hits Back
An Arts-Based Curriculum Encounter: What Does It Mean to Live on This Land?
Arts-based Research Methods with Indigenous Peoples: an International Scoping Review
Seham Rabaa
Beyond Inclusion: Canadian and Indigenous Sovereignties in Mainstream Museums
Beyond Invisibility: A REDress Collaboration to Raise Awareness of the Crisis of Missing and Murdered Aboriginal Women
Broadcasting Sovereignty: Exhibiting Nuxalk Radio at the University of British Columbia
Bwaanzhiiwi'onan = Regalia
Colouring book with Ojibwe and English text.
c̓əsnaʔəm, the city before the city: A Conversation
Call Me Angakkuq: Captain George Comer and the Inuit of Qatiktalik
Castor Resartus: The Beaver Hat in History
Compilation of primary sources, mainly newspaper articles.
Challenges in Harnessing Indigenous Knowledge Systems through Creation of Employment for Rural Women in Tanzania: The Case Study of Barabaig Leather Products in Manyara Region
Changemakers Lesson Plans: Remote Learning
Lesson plans focus on Native Americans who are fighting invisibility and creating change through their work, contributions from the past, and current actions which will impact the future.
Changing Debates in Museum Studies since NAGPRA
Chasms and Collisions: Native American Women's Decolonial Labor
Contemporary Indigenous Arts in the Classroom
Culturally Competent Stewardship in Non-Indigenous Museums
Archaeology Thesis (MA) -- Simon Fraser University, 2022.
Curators Talk: A Conversation
Decolonizing Hydrosocial Relations: The River as a Site of Ethical Encounter in Alan Michelson's TwoRow II
Deux musées pour un héritage: Les collections unangax̂ de l’île d’Unga
Digital Indigeneity: Digital Media's Uses for Identity Formation Education, and Activism by Indigenous People in the Northeastern United States
Displaying Truth and Reconciliation: Experiences of Engagement between Alberni Indian Residential School Survivors and Museum Professionals Curating the Canadian History Hall
Editor's Introduction [vol. 7, no. 1, 2018]
The Embodied Politics of Relational Indigenous Dramaturgies
Theatre Thesis (PhD) -- University of British Columbia, 2018.
The Entangled Gaze: Indigenous and European Views of Each Other
Enunciation: Urban Indigenous Being, Digital Storytelling and Indigenous Film Aesthetics
Equality
Evaluating the Impact of a Culturally Sensitive Art Program on the Resilience, Perceived Stress, and Mood of Urban American Indian Youth
Examining a Community-Based Theatre Program as a Source of Resilience and Well-being among Indigenous Youth in Saskatoon: Final Report
The Exiles: Native Survivance and Urban Space in Downtown Los Angeles
Extract from a Presentation at the Symposium “Indigenous Perspectives on Repatriation: Moving Forward Together,” Kelowna, 29–31 March 2017This Space Here
Fighting for the Tribal Bible: Mohican Politics of Self-Representation in Public History
First Peoples and Australian Museums and Galleries: A Report on the Engagement of Indigenous Australians in the Museums and Galleries Sector
First Peoples, Connecting Custodians: Principles and Guidelines for Australian Museums and Galleries Working with First Peoples Cultural Material: Draft for Consultation
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.
Frederick Alexcee's Entangled Gazes
From Sea to Sea to Sea: Celebrating Indigenous Picture Books
Garden of Relatives Coloring Book
Colouring pages based on design that features plants and the animals associated with them.