Northern Review, no. 50, Law in the Canadian North, April 07, 2020, pp. 83-108
Description
Authors considers different ways that Canadian lawyers and Canadian law can engage with Indigenous law in the interest of working towards reconciliation. Discusses a process of self-questioning and self-reflection tied to film and cultural studies.
Western American Literature, vol. 46, no. 1, Spring, 2011, pp. 46-64
Description
Discusses play which compares quilting perspectives of quiltmaker Mona Gray, who sees quilts as a link to family and LuAnne Jorgensen, a customer who sees them as a commodity.
American Indian Culture and Research Journal, vol. 35, no. 4, 2011, pp. 119-145
Description
Discusses the metaphorical surrealism in Jim Denomie paintings showing historical and contemporary events in American and Native American history, as well as aspects of pop-culture, art history and Anglo-Indian relations.
American Indian Culture and Research Journal, vol. 35, no. 4, 2011, pp. 147-166
Description
Looks at Belmore's creative work that uses both the living histories of indigenous people as cultural memory, and telling as a political act that is part of the total experience.
Discusses six films: The Chant of Jimmie Blacksmith, Rabbit Proof Fence, Once Were Warriors, Whale Rider, Ten Canoes and The Feathers of Peace.
Chapter in book: New Zealand Cinema: Interpreting the Past edited by Alistair Fox, Hilary Radner and Barry Keith.
[2011 Congress of the Humanities and Social Sciences]
[Big Thinking Series]
Media » Film and Video
Author/Creator
Beverly Diamond
Description
Video of speech by Trudeau Fellow and Canada Research Chair in Traditional Music. Discusses how cultural expressions such as Indigenous performance can define cross-cultural engagement and redefine cultural stereotypes.
Duration: 01:09:11.
American Indian Culture and Research Journal, vol. 35, no. 1, 2011, pp. 119-185
Description
Book reviews of:
2000 Years of Mayan Literature by Dennis Tedlock.
Child of the Fire: Mary Edmonia Lewis and the Problem of Art History’s Black and Indian Subject by Kirsten Pai Buick.
Conservation Refugees: The Hundred-Year Conflict between Global Conservation and Native Peoples by Mark Dowie.
Delaware Tribe in a Cherokee Nation by Brice Obermeyer.
Demons, Saints, & Patriots: Catholic Visions of Indian America through The Indian Sentinel (1902–1962) by Mark Clatterbuck.
American Indian Culture and Research Journal, vol. 35, no. 2, 2011, pp. 183-246
Description
Book reviews of:
An Aleutian Ethnography by Lucien M. Turner ; edited by Raymond L. Hudson.
The Arapaho Language by Andrew Cowell and Alonzo Moss Sr.
Broken Treaties: United States and Canadian Relations with the Lakotas and Plains Cree, 1868–1885 by Jill St. Germain.
Canada’s Indigenous Constitution by John Borrows.
Cave Archaeology of the Eastern Woodlands: Essays in Honor of Patty Jo Watson edited by David H. Dye.
Cherokee Thoughts: Honest and Uncensored by Robert J.
George Lutz recounts stories while living at Mandan, North Dakota and helping his father Rolland produce thousands of postcards of Native Americans. Includes photographs.
Journal of Material Culture, vol. 16, no. 4, Special issue: Materializing identities, December 2011, pp. 416-428
Description
Examines the conflicting ways in which artifacts and cultural heritage of First Nations are understood and how contradictory positions are to be reconciled.
Eagle Feather News, vol. 14, no. 4, April 2011, p. 5
Description
Comments on the accomplishments of Indigenous artists, writers, musicians and dancers and the honourable way in which they have led Aboriginal people.
Article found by scrolling to page 5.
Inuit Art Quarterly, vol. 26, no. 1, 25th Anniversary Issue, Spring, 2011, pp. 27-31
Description
Comments on changes in the way that Inuit art is exhibited and cites articles found in the magazine which deal with the topic.
Entire issue on one pdf. To access article scroll to p. 27.
Smithsonian National Museum of the American Indian
Description
Website developed to accompany exhibition of the same name. Topics include impact of the horse, native arts and the horse, decline and revival, and the horse nation lives on.
Images of items in the exhibition.
American Indian Quarterly, vol. 35, no. 1, Winter, 2011, pp. 75-103
Description
Describes the concept of rhetorical sovereignty, and looks at the workings and complications of enacting rhetorical sovereignty using the three inaugural exhibits of the National Museum of the American Indian (NMAI).