Uncommon Threads: Wabanaki Textiles, Clothing, and Costume
Uncommon Threads: Wabanaki Textiles, Clothing and Costume
Understanding and Resolving Cultural Heritage Repatriation Disputes Between Indigenous Peoples and Museums
Unmasking the Mouse: Cultural Appropriation in Disney Films
Uno Native Film Festival
Unsettling America: The Uses of Indianness in the 21st Century
Urban Regalia: An Exhibition in Two Parts: Exhibition Catalogue
Use of Tlingit Art and Identity by Non-Tlingit People in Sitka, Alaska
Vantage Point: "Take a Picture with a Real Indian"
Vanuatu Water Music and the Mwerlap Diaspora: Music, Migration, Tradition, and Tourism
Views from the North: Photographs, Generations and Inuit Cultural Memory
Views on Collecting: Multiple Meanings and Perspectives Surrounding Lower Colorado River Yuman Women's Beaded Capes
Visible Sexualities or Invisible Nations: Forced to Choose in Big Eden, Johnny Greyeyes, and The Business of Fancydancing
The Visual Language of Wabanaki Art
Visualities: Perspectives on Contemporary American Indian Film and Art
Visualizing Humanitarian Colonialism: Photographs from the Thomas Indian School
Voices of the Land: Indigenous Design and Planning from the Prairies
A Voyage Around the World: In a Canoe
Waanatan's Pipe and Tobacco Bag
Walking in Two Worlds: The Role of Drama in Creating Cross-Cultural Understanding and Student Engagement in School
Walking With Our Sisters: An Art Installation Centered in Ceremony
Wapos Bay: Catch the Spirit
Wapos Bay: The Wapos Falcon
Wave Eaters: Native Watercraft in Canada
We Must Grow Our Own Artists: Mary-Russell Ferrell Colton, Northern Arizona's Eary Art Educator
We Were So Far Away: The Inuit Experience of Residential Schools
Weaving Material Objects and Political Alliances: The Chitimacha Indian Pursuit of Federal Recognition
A Weekend With Buffy: Driving Miss. Sainte-Marie
The West and Beyond: New Perspectives on an Imagined Region
Western Perspectives
Discusses representations of Indigenous peoples in early 20th century art.
What Comes From Hitting Sticks
What Influence do the Old Sámi Noaidi Drums From Lapland Play in the Construction of New Shaman Drums by Sámi Persons Today?
What Native Looks Like Now: Embodiment in Contemporary Indigenous Art, 1992–Present
History of Art and Architecture Thesis (PhD) -- University of Pittsburgh, 2021.
What Sort of Indian Will Show Me the Way?: Colonization, Mediation, and Interpretation in the Sun Dance Contact Zone
What We Talk about When We Talk about Indian
When Black Lives Matter Meets Indian Country: Using the Cherokee and Chickasaw Nations as Case Studies for Understanding the Evolution of Public History and Interracial Coalition
Where Nations Meet: An Unusual Hybrid in Northeastern Souvenir Art
[Where the Blood Mixes]
Where the Blood Mixes by Kevin Loring: Study Guide
Who Holds the Frame?: Language as Representation in the Art of Emmi Whitehorse and Maria Hupfield
Why Make Movies?: Some Atikamekw Answers
Wîhtikow Feast: Digesting Layers of Memory and Myth in Highway's Kiss of the Fur Queen and McLeod's Sons of a Lost River
Wild Frenchmen and Frenchified Indians: Material Culture and Race in Colonial Louisiana
'Will Making Movies Do the Sheep Any Good?: The Afterlife of Native American Images
Winding Through the Milky Way (Song)
Windspeaker News Briefs
Outlines six stories including: flooding and a mudslide in the community of Tsawataineuk First Nation, tropical storm Earl uncovers First Nations artifacts in New Brunswick, questions about gun registry violating treaty rights and more.
Entire issue on one pdf. To access article scroll to p.9.
Windspeaker News Briefs
Outlines three stories: an agreement with Brokenhead Ojibway Nation's chief and Manitoba's minister of conservation to protect petroform sites, an outcry for a public inquiry into the murders of convicted killer Robert Pickton and a request for a ban on the bulldozing of important Native sites without the consent of Ontario First Nations people.
Entire issue on one pdf. To access article scroll to p.9.