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Driving With the Driven: A Re(-)view of the Trail of Tears in the Roadside Montage
"Drum Connection" Aboriginal Grad 2013
Dummies in Loincloths: Redefining Native Exhibitions
“Dyeing Commodities Whether in Roote or Floure”: Reconstructing Aboriginal Dye Techniques from Documentary and Museum Sources
Eastern Beads, Western Applications Wampum Among Plains Tribes
An Economic Analysis of the Auction Market for Australian Art: Evidence of Indigenous Difference and Creative Achievement
Economic Impact Study: Nunavut Arts and Crafts: Final Report
The Ecstasy of Rita Joe by George Ryga: Study Guide
Plot of novel involves a young Shuswap woman who leaves her reserve for the city and is ultimately raped and murdered. Includes overview of play, biography of playwright and director, and focus questions.
Edenshaw's Legacy in Contemporary Art
Eekwol: Too Sick
The Effects Upon Students of Supplementing Aboriginal Post-Secondary Transition Programs With Traditional Cultural Activities
Electro Cellist Cris Derksen 'Pow-Wow-Wows' With Creative Blend
Looks at an artist who mixes the cello with traditional Aboriginal music to pioneer her own sound.
Entire issue on one pdf. To access article scroll to p.11.
Ełexègots'edo: Sharing Our Stories
"A collection of stories and photographs of objects from the Tłı̨chǫ region".
Embodied Sovereignty: Dialogues with Contemporary Aboriginal Dance
Embracing My Identity: Reflections on Jorge González Camarena's Painting El Abrazo
Enabling Women to Live the Life They Choose: Women’s Work
Engaged Resistance: American Indian Art, Literature, and Film from Alcatraz to the NMAI by Dean Rader
Entrepreneur Gets Hand Up From Dragons
Introduction to Quemeez, a handmade baby moccasin-making company, and the entrepreneurial story behind them.
Entire issue on one pdf. To access article scroll to p.20.
Entwined Histories: The Creation of the Maisie Hurley Collection of Native Art
Epic Encounters: First Contact Imagery in Nineteenth and Early-Twentieth Century American Art
An Ethnohistory of the American Indian Exposition at Anadarko Oklahoma: 1932-2003
Evaluation of Hip Hop Workshops in Arctic Bay, Pond Inlet and Leadership Youth Hip Hop Summit in Pangnirtung, Nunavut
Evaluation of Indigenous Hip Hop Projects
Everything You Know About Indians Is Wrong
Exhibiting Dual(ling) Narratives of Canadian Art at the Art Gallery of Ontario
Exhibiting Voices: The Presence of Native American Voices in Museum Exhibitions
An Exploratory Study on the Use of Photovoice as a Method For Approaching FASD Prevention in the Northwest Territories
Exploring and Re-Creating Indigenous Identity through Theatre-based Workshops
Expressions: Canadian Aboriginal Artists
Expressive Therapy as a Treatment Preference for Aboriginal Trauma
Fact or Fiction? (Genre) Boarder Crossing in American Indian Film
Family Tremors: Margot Nash's Call Me Mum
The Fantasy of Whiteness: Blackness and Aboriginality in American and Australian Culture
The Fast Runner: Filming the Legend of Atanarjuat
Filmmaker, Lawyer, Indian Chief: The Negotiation of Identity in an Indigenous Film Festival
Finding Our Way: Discussion Guide
Finding Our Way: Film Screenings and Community Based Dialogues in Burns Lake: Summary Report
First Nation Cinema: Hollywood's Indigenous "Other"
The First Nations Art of Birch Bark Biting
First Nations Artists Revisit the 1876 Indian Act
Looks at the exhibition "The Indian Act Revisited" at the Huron-Wendat Museum in Quebec.
Entire issue on one pdf. To access article scroll to p.13.