Tunniit: Retracing the Lines of Inuit Tattoos: Educational Resource
Turquoise in the Life of American Indians
The Twilight Saga and the Quileute Indian Tribe: Opportunity or Cultural Exploitation?
Two-Spirit Film Criticism: Fancydancing With Imitates Dog, Desjarlais and Alexie
UDeyenz Lhuy Belh Nandlagh: A Story of Transformations
Uncommon Threads: Wabanaki Textiles, Clothing, and Costume
Uncommon Threads: Wabanaki Textiles, Clothing and Costume
Unmasking the Mouse: Cultural Appropriation in Disney Films
Urban Regalia: An Exhibition in Two Parts: Exhibition Catalogue
Ute Leaders, 1868: Photographs Courtesy of the National Anthropological Archives, Smithsonian
Vantage Point: "Take a Picture with a Real Indian"
Visible Sexualities or Invisible Nations: Forced to Choose in Big Eden, Johnny Greyeyes, and The Business of Fancydancing
A Visual Autobiography: The Self-Portraits of Carl Beam
Visual Power: 21st Century Native American Artists/Intellectuals
Curator's overview of exhibition of the same name. Discusses the work of selected artists, including Norman Akers, George Longfish, Gail Tremblay, Edgar Heap of Birds, Duane Slick, and Nadema Agard.
Joint issue with: Indigenous Studies Today Issue 1, Spring 2006.
Voices in the Era of Silents: An American Indian Aesthetic in Early Silent Film
Voices of the Land: Indigenous Design and Planning from the Prairies
Waanatan's Pipe and Tobacco Bag
Walking in Two Worlds: The Role of Drama in Creating Cross-Cultural Understanding and Student Engagement in School
Wapos Bay: Catch the Spirit
Wapos Bay: The Wapos Falcon
Waskawewin
The Waters of Venice: Rebecca Belmore at the 51st Biennale
Wave Eaters: Native Watercraft in Canada
We Must Grow Our Own Artists: Mary-Russell Ferrell Colton, Northern Arizona's Eary Art Educator
We Were So Far Away: The Inuit Experience of Residential Schools
A Weekend With Buffy: Driving Miss. Sainte-Marie
The West and Beyond: New Perspectives on an Imagined Region
What Native Looks Like Now: Embodiment in Contemporary Indigenous Art, 1992–Present
History of Art and Architecture Thesis (PhD) -- University of Pittsburgh, 2021.
What Sort of Indian Will Show Me the Way?: Colonization, Mediation, and Interpretation in the Sun Dance Contact Zone
When Black Lives Matter Meets Indian Country: Using the Cherokee and Chickasaw Nations as Case Studies for Understanding the Evolution of Public History and Interracial Coalition
"Where Are All the Great Collections of Contemporary Native American Art?"
Where the Ancestors Walked: Australia as an Aboriginal Landscape
[Where the Blood Mixes]
Where the Blood Mixes by Kevin Loring: Study Guide
Who Holds the Frame?: Language as Representation in the Art of Emmi Whitehorse and Maria Hupfield
Who is artinjun.ca?
"Why Cheyenne?"
Why Make Movies?: Some Atikamekw Answers
Wîhtikow Feast: Digesting Layers of Memory and Myth in Highway's Kiss of the Fur Queen and McLeod's Sons of a Lost River
William Barak and the Affirmation of Tradition
Winding Through the Milky Way (Song)
Windspeaker News Briefs
Outlines six stories including: flooding and a mudslide in the community of Tsawataineuk First Nation, tropical storm Earl uncovers First Nations artifacts in New Brunswick, questions about gun registry violating treaty rights and more.
Entire issue on one pdf. To access article scroll to p.9.
Windspeaker News Briefs
Outlines three stories: an agreement with Brokenhead Ojibway Nation's chief and Manitoba's minister of conservation to protect petroform sites, an outcry for a public inquiry into the murders of convicted killer Robert Pickton and a request for a ban on the bulldozing of important Native sites without the consent of Ontario First Nations people.
Entire issue on one pdf. To access article scroll to p.9.
Working in Whitehorse
Working with and for Ancestors
Xstine Cook and Spirit of White Buffalo
"You Do Not Understand ME": Hybridity and Third Space in Age of Iron
Youth Leisure in a Native North American Community: An Observational Study
Yuraryararput Kangiit-llu: Our Ways of Dance and Their Meanings
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