Vanishing Images? Mediations of Native Americans in the Tradition of the Western
Vantage Point: "Take a Picture with a Real Indian"
Visible Sexualities or Invisible Nations: Forced to Choose in Big Eden, Johnny Greyeyes, and The Business of Fancydancing
Visitor Responses to Nitsitapiisinni: Our Way of Life: The Impact of Collaboration on Visitors' Experiences
Visual Sovereignty and Indigenous Film Festivals: A Case Study on the Native Crossroads Film Festival
Visualizing a Mission: Artifacts and Imagery of the Carlisle Indian School, 1879-1918
Waanatan's Pipe and Tobacco Bag
Walk-Through at the Hammer
Walking in Two Worlds: The Role of Drama in Creating Cross-Cultural Understanding and Student Engagement in School
Walking with Our Sisters: Healing through Storytelling
Wampum Belts with Initials and/or Dates as Design Elements: A Preliminary Review of One Subcategory of Political Belts
Discusses wampum belts, produced by tribes of the Eastern seaboard from 1600 to 1800, including their distinct beadwork styles, their functions and the practice of reuse of beads.
Wapos Bay: Catch the Spirit
Wapos Bay: The Wapos Falcon
Wave Eaters: Native Watercraft in Canada
Ways of Owning and Sharing Culture Property
"We Have All Been Colonized": Subordination and Resistance on a Global Arts Stage
We Must Grow Our Own Artists: Mary-Russell Ferrell Colton, Northern Arizona's Eary Art Educator
“We Need New Stories”: Trauma, Storytelling, and the Mapping of Environmental Injustice in Linda Hogan’s Solar Storms and Standing Rock
We Were So Far Away: The Inuit Experience of Residential Schools
Weaving Culture: The Many Dimensions of the Yup'ik Eskimo mingqaaq
A Weekend With Buffy: Driving Miss. Sainte-Marie
The West and Beyond: New Perspectives on an Imagined Region
What Shall We Do with the Bodies? Reconsidering the Archive in the Aftermath of Fraud
What Sort of Indian Will Show Me the Way?: Colonization, Mediation, and Interpretation in the Sun Dance Contact Zone
When Consumerism and Art Collide: A Question of Identity
When the Thieves Became Masters in the Land of the Shamans
[Where the Blood Mixes]
Where the Blood Mixes by Kevin Loring: Study Guide
The White People Problem: Experiments in the Reverse Gaze.
Who Owns Native Culture?
Why Make Movies?: Some Atikamekw Answers
Wîhtikow Feast: Digesting Layers of Memory and Myth in Highway's Kiss of the Fur Queen and McLeod's Sons of a Lost River
Winding Through the Milky Way (Song)
Windspeaker News Briefs
Outlines six stories including: flooding and a mudslide in the community of Tsawataineuk First Nation, tropical storm Earl uncovers First Nations artifacts in New Brunswick, questions about gun registry violating treaty rights and more.
Entire issue on one pdf. To access article scroll to p.9.
Windspeaker News Briefs
Outlines three stories: an agreement with Brokenhead Ojibway Nation's chief and Manitoba's minister of conservation to protect petroform sites, an outcry for a public inquiry into the murders of convicted killer Robert Pickton and a request for a ban on the bulldozing of important Native sites without the consent of Ontario First Nations people.
Entire issue on one pdf. To access article scroll to p.9.
Wokiksuye: The Politics of Memory in Indigenous Art, Monuments, and Public Space
Women Writing Race: The Politics of Identity and Theatrical Representation in Canada During the 1980s
Work 2 Give: Fostering Collective Citizenship through Artistic and Healing Spaces for Indigenous Inmates and Communities in British Columbia
Woven Histories, Dancing Lives: Torres Strait Islander Identity, Culture and History
Xstine Cook and Spirit of White Buffalo
"You Do Not Understand ME": Hybridity and Third Space in Age of Iron
Youth Leisure in a Native North American Community: An Observational Study
Yua: Spirit of the Arctic: Eskimo and Inuit Art from the Collection of Thomas G. Fowler
Yuraryararput Kangiit-llu: Our Ways of Dance and Their Meanings
Pagination
- First page
- Previous page
- …
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13