Reading for Reconciliation? Indigenous Literatures in a Post-TRC Canada
The Real Thing: Identity and Cultural Authenticity are Drama Fodder for William S. Yellow Robe Jr.
[Recensions/Book Reviews]
Recently Discovered Gievrie 1 (South-Saami Shaman Drum)-Contexts, Meanings and Narratives
Reclaiming Culture: Indigenous People and Self-Representation
Reclaiming Territories through Indigenous Performance
Recognition on Settler Terms: The Canadian Handicrafts Guild
and First Nations Craft from 1900 to 1967
Recovering Aboriginal Cultural Property at Common Law: A Contextual Approach
Recovering From Colonization: Perspectives of Community Members on Protection and Repatriation of Kwakwaka'wakw Cultural Heritage
Recovering Ritual: A Brief Comparison of the Ancient Greek Oresteia and the Apache Na’ii’ees as Performance
Red Salmon and Red Cedar Bark: Another Look at the Nineteenth-Century Kwakwaka'wakw Winter Ceremonial
Red Sky Presents Sun Spirits: Caribou Song and Raven Stole the Sun: Study Guide
Red: The Eiteljorg Contemporary Art Fellowship
Reel Artists: National Film Board of Canada Portrayals of Contemporary Aboriginal and Inuit Artists and Their Art
Refiguring Indian Blood Through Poetry, Photography, and Performance Art
Reflections on Rethink150: Indigenous Truth
A Regional Profile of Non-Timber Forest Products Being Harvested from the Cariboo-Chilcotin, British Columbia Area
Remote Avant-Garde: Aboriginal Art under Occupation
Repatriation at the Pueblo of Zuni: Diverse Solutions to Complex Problems
Representation and the Production of Space: Aboriginal Women in Downtown Eastside, Vancouver
Reservation X: The Power of Place
Reservation X: The Power of Place in Aboriginal Contemporary Art
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
A Response to Alan Hoover: '"That's My Dinner On Display': A First Nations Reflection on Museum Culture," BC Studies 128 (Spring/Summer 2000): 163-78
A Response to Gloria Frank: 'That's My Dinner On Display': on Museum Culture, (BC Studies 128 Spring/Summer 2000): 163-78
The Responsibility of Performance: The Interweaving of Politics and Aesthetics in Intercultural Contexts
Rethinking the Prairie Page in Print Culture: Paper Presented at the Prairie Print Culture Colloquium
Explores the meaning and implications of ledger drawings made by Aboriginal men in the late nineteenth century within the context of the book culture.
Reviews
Reviews
Reviews
Reviews
Ritual and the Individual: An Analysis of Cibicue Painted Corrugated Pottery From Grasshopper Pueblo, Arizona
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
[Roland Cotton's Interview on the Unique History of Blackfoot Dance]
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Sacred Objects and Sacred Places: Preserving Tribal Traditions
Sacred Salmon Film Wins National Acclaim for SKC
Sainte-Marie Among the Hurons
Sample Cover for The Face Pullers
Santee Smith
Sara Diamond
Saskatchewan History - The First Peoples: Plains First Nations
Saskatchewan Indigenous Cultural Centre
The centre provides resources to assist First Nations peoples in preserving their culture. Services include training materials, online collections of images and text, a library, and a museum.
"Saskatchewan Native Theatre Company"
Historical note:
Saskatchewan Native Theatre Company was formed in 1999 in Saskatoon. They feature original work by Saskatchewan Aboriginal artists. For more information go to www.sntc.ca