Pop Culture Confronts British Columbia's Colonial History
Popular Theatre, Education, and Inner City Youth
Poster for Louis Riel: A Comic Strip Biography
The Powwow Dance and My Dance with Powwows
Presentation of Self, Culture, and Other in Public Podium Talk: Constructing Indigenous/non-Indigenous Relations in Grassroots Popular Education
Preserving What is Valued: Museums, Conservation and First Nations
[Preston Singletary: Threshold]
Prospects for a New Middle Class Among Urban Aboriginal People
Protect and Promote Your Culture: A Practical Guide to Intellectual Property for Indigenous Peoples and Local Communities
Protecting Aboriginal Cultural Heritage in Australia: Looking For Solutions in the Canadian Experience
Protocols for Using First Nations Cultural and Intellectual Property in the Arts
Pushing the Needle: Collections Based Museum and Source Community Collaborations
Racism, Popular Culture, and the Everyday Rosebud Reservation
Raise a Flag: Works from the Indigenous Art Collection (2000-2015): Education Guide
Rak Badjalarr: Wangga Songs for North Peron Island By Bobby Lane, Belyuen Community, Northwest Australia
Ramona's Baskets: Romance and Reality
The Rankin Inlet Ceramics Project: A Study in Development and Influence
(Re)Inscription: Reclaiming O'odham Identities through Tattoos
Re/making the 'Meeting Place' - Transforming Toronto's Public Spaces Through Creative Placemaking, Indigenous Story And Planning
Reading for Reconciliation? Indigenous Literatures in a Post-TRC Canada
[Recensions/Book Reviews]
Reclaiming Territories through Indigenous Performance
Recognition on Settler Terms: The Canadian Handicrafts Guild
and First Nations Craft from 1900 to 1967
Reconstructions of a Different Kind: The Mounted Police and the Rebirth of Fort Walsh, 1942-1966
Red Paint: Transnational Movements of Deconstructing, Decolonizing, and Defacing Colonial Structures
Red: The Eiteljorg Contemporary Art Fellowship
Reflections on Rethink150: Indigenous Truth
Remote Avant-Garde: Aboriginal Art under Occupation
Renewal and Wholeness in the Bear Dance
Repatriation: The Reculturalization of the Indigenous Peoples of America: A Shero's Journey and the Creation of the American Indian Ritual Object Repatriation Foundation
Public History Thesis (Ph.D.)--The Union Institute, 1997.
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
Respiratory Health of Inuit Stone Carvers
Revealing Blue on the Northern Northwest Coast
Reviews
Richard Ray Whitman: Remembering the Future
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
Rock and Roll, Redskins, and Blues in Sherman Alexie’s Work
Rock Art in Southern Saskatchewan
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
Rose
Rough Knowledge and Radical Understanding: Sacred Silence in American Indian Literatures
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.