Recognition on Settler Terms: The Canadian Handicrafts Guild
Reconstructions of a Different Kind: The Mounted Police and the Rebirth of Fort Walsh, 1942-1966
Red Paint: Transnational Movements of Deconstructing, Decolonizing, and Defacing Colonial Structures
Red: The Eiteljorg Contemporary Art Fellowship
Reflections on Rethink150: Indigenous Truth
Reflexivity and Subjectivity in Early American Painting: A Critique of Perspectives on the Traditional Style
Remembering Canada's Forgotten Soldiers at Contemporary Powwows
Remote Avant-Garde: Aboriginal Art under Occupation
Renewal and Wholeness in the Bear Dance
Repatriation: The Reculturalization of the Indigenous Peoples of America: A Shero's Journey and the Creation of the American Indian Ritual Object Repatriation Foundation
Public History Thesis (Ph.D.)--The Union Institute, 1997.
Representation of American Indians: The Role of Mainstream Folklore and Popular Culture
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
Revealing Blue on the Northern Northwest Coast
Rhetorical Dimensions of Native American Documentary
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
Rock and Roll, Redskins, and Blues in Sherman Alexie’s Work
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
Rough Knowledge and Radical Understanding: Sacred Silence in American Indian Literatures
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Safety for Our Sisters: Ending Violence against Native Women
The Sahara's Indigenous Peoples, the Tuareg, Fear Environmental Catastrophe
Saskatchewan History - The First Peoples: Plains First Nations
Screen Text and Institutional Context: Indigenous Film Production and Academic Research Institutions
Sculptor Lloyd Pinay
Seeing Aboriginal Art in the Gallery
Seeing the Whole Picture: An Investigation of Factors that Influence Contemporary Native American Artist Participation in "Mainstream" Fine Art Markets
The Semiotic Analysis of the Representation of Arctic Inuit in the National Geographic
Seneca Art and Culture Center at Ganondagan State Historic Site
The Sense of a Better Ending: Legal Pluralism and Performative Jurisprudence in Atanarjuat the Fast Runner
Settler City Limits: Indigenous Resrugence and Colonial Violence in the Urban Prairie West
Settler Colonial Ways of Seeing: Documentary Governance of Indigenous Life in Canada and Its Disruption
Seven War-Exploit Paintings: A Search For Their Origins
The Shaman
Shamanism, Sacred Narratives, the Sea, and the Cedar in the Art of John Hoover, Aleut Sculptor
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.