Reel Artists: National Film Board of Canada Portrayals of Contemporary Aboriginal and Inuit Artists and Their Art
Refiguring Indian Blood Through Poetry, Photography, and Performance Art
Reflections on Rethink150: Indigenous Truth
A Regional Profile of Non-Timber Forest Products Being Harvested from the Cariboo-Chilcotin, British Columbia Area
Remote Avant-Garde: Aboriginal Art under Occupation
Representation as Colonial Rhetoric: The Image of 'the Native' and 'the habitant' in the Formation of Colonial Identities in Early Nineteenth-Century Lower Canada
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
The Responsibility of Performance: The Interweaving of Politics and Aesthetics in Intercultural Contexts
Revealing Blue on the Northern Northwest Coast
Reviews
Reviews
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
[Roland Cotton's Interview on the Unique History of Blackfoot Dance]
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
The Rose Collection of Moccasins in the Canadian Museum of Civilization: Transitional Woodland/Grassland Footwear
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
The Rumour of Humanity: An Interview with Daniel David Moses
Sac and Fox Pow-Wow, Stroud, Oklahoma: Intertribal
Sacred Salmon Film Wins National Acclaim for SKC
Safety for Our Sisters: Ending Violence against Native Women
Saskatchewan History - The First Peoples: Plains First Nations
Saskatchewan Indigenous Cultural Centre
The centre provides resources to assist First Nations peoples in preserving their culture. Services include training materials, online collections of images and text, a library, and a museum.
"Saskatchewan Native Theatre Company"
Historical note:
Saskatchewan Native Theatre Company was formed in 1999 in Saskatoon. They feature original work by Saskatchewan Aboriginal artists. For more information go to www.sntc.caSaying Good-Bye to Tonto: The Changing Representation of Natives in Canadian Drama
Screen Text and Institutional Context: Indigenous Film Production and Academic Research Institutions
Second Skins: Semiotic Readings in Taxidermic Reconstruction
The Semiotic Analysis of the Representation of Arctic Inuit in the National Geographic
Seneca Art and Culture Center at Ganondagan State Historic Site
The Sense of a Better Ending: Legal Pluralism and Performative Jurisprudence in Atanarjuat the Fast Runner
Settler City Limits: Indigenous Resrugence and Colonial Violence in the Urban Prairie West
Settler Colonial Ways of Seeing: Documentary Governance of Indigenous Life in Canada and Its Disruption
Sewing and Silence, Sewing and Struggle: Socializing Women's Work in Igloolik, N.W.T.
Shamans, Mythmakers and Imagined Places: Central Asia at the 51st Venice Biennale
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.