Producing "Generations in Clay": Kinship, Markets, and Hopi Pottery
Project #12: Button Blanket
Lesson designed for use with elementary school students.
Taken from The Sk u k altx "To Teach in School" Project : First Nations Art and Language Course.
Protect and Promote Your Culture: A Practical Guide to Intellectual Property for Indigenous Peoples and Local Communities
Protecting Your Art: A Lawyer Interprets Canada's Copyright Law
Protocols for Using First Nations Cultural and Intellectual Property in the Arts
Public Galleries: The Big Eleven
The Public Relations Wrap: What We Can Learn from The Spirit Sings
Pudlo: Thirty Years
Pueblo Cultural Bodies
Pueblo Potters, Museum Curators, and Santa Fe's Indian Market
Pueblo Pottery and the Politics of Regional Identity
Pueblo Pottery in the Collections of the University of Pennsylvania Museum
Pushing the Needle: Collections Based Museum and Source Community Collaborations
Racism, Popular Culture, and the Everyday Rosebud Reservation
Radiocarbon Dates on the All American Man Pictograph
Raise a Flag: Works from the Indigenous Art Collection (2000-2015): Education Guide
Rankin Inlet Ceramics
(Re)Inscription: Reclaiming O'odham Identities through Tattoos
Re/making the 'Meeting Place' - Transforming Toronto's Public Spaces Through Creative Placemaking, Indigenous Story And Planning
Reading for Reconciliation? Indigenous Literatures in a Post-TRC Canada
Reassessing Traditional Inuit Poetry
Discussion on Inuit poetry; and the difference between the contemporary Canadian poetic tradition and that of the traditional Inuit.
Receiving Aboriginality: Tomson Highway and the Crisis of Cultural Authenticity
Reclaiming Territories through Indigenous Performance
Recognition on Settler Terms: The Canadian Handicrafts Guild
and First Nations Craft from 1900 to 1967
Red Paint: Transnational Movements of Deconstructing, Decolonizing, and Defacing Colonial Structures
Red: The Eiteljorg Contemporary Art Fellowship
Reflections on Rethink150: Indigenous Truth
Regional Diversity in Contemporary Inuit Sculpture
Remote Avant-Garde: Aboriginal Art under Occupation
Repatriation at the Field Museum
The Repatriation of Ahayu:da Zuni War Gods
Repository Sources of Northwest Coast Indian Photographs
Representation as Colonial Rhetoric: The Image of 'the Native' and 'the habitant' in the Formation of Colonial Identities in Early Nineteenth-Century Lower Canada
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
Revealing Blue on the Northern Northwest Coast
Revealing the Truth of the Artist's Hand: Contemporary Inuit Drawings
Review Articles: No Writing at All Here: Review Notes on Writing Native
Reviews
Reviews
Reviews
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
The Rose Collection of Moccasins in the Canadian Museum of Civilization: Transitional Woodland/Grassland Footwear
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.