Rebecca Belmore: Vigil and the Named and the Unnamed, 2002
Reclaiming Territories through Indigenous Performance
Reclaiming the Dancer: Embodied Perception in a Dance Performance
Recognition on Settler Terms: The Canadian Handicrafts Guild
and First Nations Craft from 1900 to 1967
Reconsidering Emily Carr
Red Paint: Transnational Movements of Deconstructing, Decolonizing, and Defacing Colonial Structures
Red: The Eiteljorg Contemporary Art Fellowship
Red Woman White Cube: First Nations Art and Racialized Space
Reflections on Rethink150: Indigenous Truth
Regional Surveys of Northwest Coast Native Art: A Review Essay
Remembering Our Ancestors: Cross-Cultural Collaboration and the Mediation of Aboriginal Culture and History in Ten Canoes (Rolf de Heer, 2006)
Remote Avant-Garde: Aboriginal Art under Occupation
Representations of Inuit Culture in the Cambridge Museum of Archaeology and Anthropology
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
Revealing Blue on the Northern Northwest Coast
Review Essay: Indigenous Motivations: Recent Acquisitions From the National Museum of the American Indian
Reviews
Reviews
Reviews
Ribbonwork of the Great Lakes Indians: The Material of Acculturation
A Rich Heritage Ignored: But was the Shutting Out of Native Art in the 1920s Deliberate or Just Careless?
Ritual and Myth: Native American Culture and Abstract Expressionism
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Safety for Our Sisters: Ending Violence against Native Women
Salish Indian Art from the J.R. Simplot Collection - Poster. - 13 June - 17 September 1986.
Sanaugait: A Strategy for Growth in Nunavut's Arts and Crafts Sector
Santu's Song
Saskatchewan History - The First Peoples: Plains First Nations
Saskatchewan Native Theatre's Caribou Song Another Winner Despite Busy Times for Company
Screen Text and Institutional Context: Indigenous Film Production and Academic Research Institutions
Seeking Common Ground / Trouver Un Terrain D'Entente: Politics of National Park Establishment in the Torngat Mountains, Arctic Canada
Selling Indians at Sherman Institute, 1902-1922
The Semiotic Analysis of the Representation of Arctic Inuit in the National Geographic
Sending a Message: How Indigenous Australian Women Use Contemporary Music Recording Technologies to Provide a Space for Agency, Viewpoints and Agendas
Seneca Art and Culture Center at Ganondagan State Historic Site
The Sense of a Better Ending: Legal Pluralism and Performative Jurisprudence in Atanarjuat the Fast Runner
Settler City Limits: Indigenous Resrugence and Colonial Violence in the Urban Prairie West
Settler Colonial Ways of Seeing: Documentary Governance of Indigenous Life in Canada and Its Disruption
Shadow of the Salmon
Shamanism and Rock Art
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.