Recognition on Settler Terms: The Canadian Handicrafts Guild
and First Nations Craft from 1900 to 1967
Recording Culture: Powwow Music and the Aboriginal Recording Industry on the Northern Plains
Recording Culture: Powwow Music and the Aboriginal Recording Industry on the Northern Plains
Recording Culture: Powwow Music and the Aboriginal Recording Industry on the Northern Plains
Recovery of Saskatoon Artifacts Sent to Winnipeg
Red Paint: Transnational Movements of Deconstructing, Decolonizing, and Defacing Colonial Structures
Red: The Eiteljorg Contemporary Art Fellowship
Reflections on Rethink150: Indigenous Truth
'Remembering Otherwise": Counter-Commemoration and Re-Territorialization in Indigenous Film and Video Art
Remote Avant-Garde: Aboriginal Art under Occupation
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
Revealing Blue on the Northern Northwest Coast
Rhetorics of Colonialism in Visual Documentation
Rhetorics of Colonialism in Visual Documentation
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
Rougarou
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Safety for Our Sisters: Ending Violence against Native Women
Saskatchewan History - The First Peoples: Plains First Nations
Screen Text and Institutional Context: Indigenous Film Production and Academic Research Institutions
The Semiotic Analysis of the Representation of Arctic Inuit in the National Geographic
Seneca Art and Culture Center at Ganondagan State Historic Site
The Sense of a Better Ending: Legal Pluralism and Performative Jurisprudence in Atanarjuat the Fast Runner
Settler City Limits: Indigenous Resrugence and Colonial Violence in the Urban Prairie West
Settler Colonial Ways of Seeing: Documentary Governance of Indigenous Life in Canada and Its Disruption
Shadow of the Headframe
Shapeshifting: Inviting Change Through Exhibiting Native American Art
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.
Sharing the Creative Spirit: Indigenous Community Art Projects
[Short Nights of the Shadow Catcher: The Epic Life and Immortal Photographs of Edward Curtis]
Showing and Telling the Story of Nikis (My Little House): An Arts-Based Autoethnographic Journey of a Cree Adult Educator
Shuvinai Ashoona: Life & Work
Sioux Performers at the 1901 Pan-American Exposition
Sioux Performers at the 1904 St. Louis World's Fair
Six-Guns on the Stage: Buffalo Bill Cody's First Celebration of the Conquest of the American Frontier
The Social Life of Sound: Urban Indigenous Youth, Hip Hop and Hardcore
Solarize-ing Native Hip-hop: Native Feminist Land Ethics and Cultural Resistance
Songs To Celebrate Saskatchewan
Historical note:
A video titled 'Songs to Celebrate Saskatchewan' recorded in 1981 by staff of the Extension Service Branch of the Department of Northern Saskatchewan in Beauval.Sounds of Australia: Aboriginal Popular Music, Identity, and Place
Southern Cheyenne Style Moccasins: Bob Gurney's Moccasins Revisited
Sovereign Acts II
Curatorial essay which accompanied exhibition of the same name.
Space is a Participant: Strategies of Activation and Presence in the Contemporary Practice of Brian Jungen
Art History Thesis (MA) -- University of British Columbia, 2014.