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1981 Elders' Conference 2/4
Acculturating Eskimo Arts: The Diffusion of Government Sponsored Production Facilities in Alaska and Canada
Acquiring and Exhibiting a Nuu-Chah-Nulth Ceremonial Curtain
Adult Inuk guide. - Portrait.
Adult Inuk guide. - Portrait.
Adult Inuk Male Filleting Arctic Trout.
Adult Inuk Male Skinning Seal.
Adult Inuk Male Skinning Seal.
The American Indian in the American Film
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Art, Aborigines and Chinese: A Nineteenth Century Drawing by the Kwatkwat Artist Tommy McRae
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Artists with Their Work - Ruth Cuthand. - Program. - 1990.
Historical note:
Ruth Cuthand was born in Prince Albert, SK in 1954 and grew up near the Blood Reserve in Alberta. Her heritage is Plains Cree and Scots/Irish. Her Aboriginal culture and memories of her childhood experiences are often the inspiration for her art-making practice.Arviat Stone Sculpture: Born of the Struggle with an Uncompromising Medium.
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Basketmaking Guides and the Appropriation of Indigenous Basketry
Batoche Rectory National Parks Sign
Battle of Duck Lake plaque
Behind the Exhibit: Exploring the Processes of Indigenous Rights
Representation at the Canadian Museum for Human Rights
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Birch Bark Biting A Dying Indian Art
"The Blood Speaks"--Maya Ritual Sacrifice
Book Reviews
Book Reviews
Book Reviews
Bowwow Powwow
Lesson plan for book written by Brenda J. Child and illustrated by Jonathan Thunder. Designed for Pre-K to Grade 2.
Bridging the Social Distance between Indigenous and Newcomer Youth during the COVID-19 Pandemic: An Exploration of Identities and Relationship Building through Online and Arts-based Methods
Collectors of Navajo Rugs: An Analysis and Comparison of the Marjorie Merriweather Post and Washington Matthews Smithsonian Collection
Commemorating Father Pandosy: Diversification of the Frontier Cultural Complex and Continued Colonial Erasure in Kelowna
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Copyright Issues Regarding Inuit Art
Brief discussion of artists' right to control reproduction and exhibition of their work and their moral right to the integrity of their creations.
Cora Sanderson Interview
Creations of Mystics and Philosophers: The White Man's Perceptions of Northwest Coast Indian Art from the 1930s to the Present
Culture and Tourism in the Navajo Country
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Culture, Race and Identity: Australian Aboriginal Writing
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Daughter of Adult Inuk Guide. - Portrait.
Developing Indigenous Visual Arts Transnationally and Across Genres
Direct Cinema: Filmmaking Style and Its Relationship to "Truth"
A Dissonant Education: Marching Bands and Indigenous Musical Traditions at Sherman Institute, 1901–1940
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
Duck Lake School Residence
The Eskimo Art Business
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.