Protocols for Using First Nations Cultural and Intellectual Property in the Arts
Questions about Questions: Law and Film Reflections on the Duty to Learn
Racism, Popular Culture, and the Everyday Rosebud Reservation
Red Jacket: The Man and His Portraits
Red Paint: Transnational Movements of Deconstructing, Decolonizing, and Defacing Colonial Structures
Repertoires for Supporting Sovereignty: The Protocols for Native American Archival Materials and Dance Information in Vancouver
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
Revealing Blue on the Northern Northwest Coast
Rita Bouvier
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
Safety for Our Sisters: Ending Violence against Native Women
The Secularization of the Modern Brush Dance: Cultural Devastation in Northwestern California
The Semiotic Analysis of the Representation of Arctic Inuit in the National Geographic
Settler City Limits: Indigenous Resrugence and Colonial Violence in the Urban Prairie West
Sonnet
The Space In-Between Cultures: Site-Specific Meeting Places of Indigenous and European Knowledges
Art History Thesis (BA) -- University of British Columbia, 2020.
Spectacles and Specters of Indigenous Peoples in How Tasty Was My Little Frenchman
Stepping Out: 10,000 Years of Walking the West: Decolonizing Strategies at the Museum of Indian Arts and Culture
Stitching Ourselves Back Together: Urban Indigenous Women’s Experience of Reconnecting with Identity Through Beadwork
Storytelling and Strength: Voices from Indigenous Theatre in Canada
Stylistic Growth in Classroom Native Music
Tah'lum Indigenous Artist Collective Colouring Book: Volume 1: Michif and Lekwungen
Tail/Tale/Tell: The Transformations of Sedna into an Icon of Survivance in the Visual Arts Through the Eyes of Four Contemporary Urban Inuit Artists
Art History Thesis (M.A) -- Concordia University, 2019
Taonsayontenhroseri:ye’ne: The Power of Art in Indigenous Research with Youth
Teacher Guide for K.C. Adam's Perception: A Photo Series
Theatre of Regret: Literature, Art, and the Politics of Reconciliation in Canada
The Theft of Culture and Inauthentic Art and Craft: Australian Consumer Law and Indigenous Intellectual Property
Law Thesis (MP) -- Queensland University of Technology, 2020.
"These Paintings Have Spirit": Voices Found in Childhood Artwork from Indian Residential Schools
"To Bring a Little Bit of the Land": Tanya Tagaq Performing at the Intersection of Decolonization and Ecocriticism
Music and Culture Thesis (M.A) - Carleton University, 2019.
Totem Pole Restoration on the Skeena, 1925-30: An Early Exercise in Heritage Conservation
Traditional Alaska Transition Skills: Iñupiaq Sewing Skills
Designed to give teens and young adults with disabilities an improved quality of life, connection to culture and increased work related skills.
Traditional Indian Dancers
Truthful Engagement: Making the Witness Blanket, an Ongoing Process of Reconciliation
Unsettling Exhibition Pedagogies: Troubling Stories of the Nation with Miss Chief
Untranslatable Timescapes in James Welch’s Fools Crow and the Deconstruction of Settler Time
Vanishing Images? Mediations of Native Americans in the Tradition of the Western
Vietnam Akíčita: Lakota And Dakota Military Tradition In The Twentieth Century
History Thesis (PhD) -- University of Minnesota, 2020.
Visual Sovereignty and Indigenous Film Festivals: A Case Study on the Native Crossroads Film Festival
The Vitruvian Man and Beyond: Spirit Imperative in the Life and Poetry of Ralph Salisbury
Walk-Through at the Hammer
Walking with Our Sisters: Healing through Storytelling
Washed Away: Native American Representation in Oklahoma Museums and High Schools, 2000-2020
“We Need New Stories”: Trauma, Storytelling, and the Mapping of Environmental Injustice in Linda Hogan’s Solar Storms and Standing Rock
Welcoming the Wild Salmon Caravan: Socially Engaged Art as a Decolonizing Practice
Art Education (MA) -- Concordia University, 2020.
What Shall We Do with the Bodies? Reconsidering the Archive in the Aftermath of Fraud
When Consumerism and Art Collide: A Question of Identity
When the City Sleeps, We Dream of Disruption: A Review of Lisa Jackson's Transmissions Exhibition
The White People Problem: Experiments in the Reverse Gaze.
Why the 90s Were so Sexy: Locating Sexuality, Pleasure and Desire in Work Produced by Indigenous Women Identified Artists During the 1990s and Early 2000s in Canada
Art History Major Research Paper (M.A) -- Ontario College of Art & Design University, 2020.