The Relationship Between Hepatitis C Virus And Injection Drug Use In Saskatoon Street Youth
Remote Avant-Garde: Aboriginal Art under Occupation
Repatriation as a Reflection of Stó:lô Cultural Values: Tset Tháyeltxwen Te lálém S'olh etawtxw (We are Building a House of Respect)
Representing Indigenous Cultures: Alaska Native Contemporary Art Exhibits in Anchorage
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
Return to Sender: On the Politics of Cultural Property and the Proper Address of Art
Revealing Blue on the Northern Northwest Coast
Reviews
Reviews
Reviews
Rewriting the Soundscape: Towards a New Understanding of Sámi Popular Music and Identity in the New Millennium
Rhythm of Nations
Riel Project / Bulletin / du Projet Riel - No.2. - September / Septembre 1979.
Historical note:
The purpose of the Riel project is to publish a critical edition of all the writings of Louis Riel. The edition is to present a printed version faithful to what Riel himself wrote, being "critical" in the sense that errors will be noted, variants recorded, and annotations furnished. In English / French.The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
The Rock-Art of Eastern North America: Capturing Images and Insight
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Safety for Our Sisters: Ending Violence against Native Women
Sakha Pop Music and Ethnicity
Sámi Artistry, Identity, and Indigenism in Museums and Markets
Saskatchewan History - The First Peoples: Plains First Nations
Scandalous Personas, Difficult Knowledge, Restless Images: The Work of Lori Blondeau
Screen Text and Institutional Context: Indigenous Film Production and Academic Research Institutions
The Semiotic Analysis of the Representation of Arctic Inuit in the National Geographic
Seneca Art and Culture Center at Ganondagan State Historic Site
The Sense of a Better Ending: Legal Pluralism and Performative Jurisprudence in Atanarjuat the Fast Runner
Settler City Limits: Indigenous Resrugence and Colonial Violence in the Urban Prairie West
Settler Colonial Ways of Seeing: Documentary Governance of Indigenous Life in Canada and Its Disruption
Sewing Ourselves Together: Clothing, Decorative Arts and the Expression of Metis and Half Breed Identity
Shadowed Pasts
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.
Sharing the Box of Treasures
Showing and Telling the Story of Nikis (My Little House): An Arts-Based Autoethnographic Journey of a Cree Adult Educator
Shuvinai Ashoona: Life & Work
Sing from the Heart, Sing for the People: An Ethnography of Dakotan Singing, 1660-2000
Singing Ourselves In
Skin Privilege
Small Spirits: Native American Dolls from the National Museum of the American Indian
Snowshoe Making Workshop
Social Agency and the Culture Value(s) of the Art Object
The Social Life of Sound: Urban Indigenous Youth, Hip Hop and Hardcore
Sound and Meaning in Aboriginal Tourism
Southern Cheyenne Style Moccasins: Bob Gurney's Moccasins Revisited
Sovereign Acts II
Curatorial essay which accompanied exhibition of the same name.