Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
Four Hopi Lullabies: A Study in Method and Meaning
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.
Framing the Past
"Free Your Mind," from the Series Crazymaking (2007)
from Swift Cinder
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Garden of Relatives Coloring Book
Colouring pages based on design that features plants and the animals associated with them.
Generating and Sustaining Positive Spaces: Reflections on an Indigenous Youth Urban Arts Program
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
George Woodcock's Peoples of the Coast: A Review Article
Glimpsing Our Past: An Archival Photo Project
The Great Shimmering
‘The happiest time of my life …’: Emotive Visitor Books and Early Mission Tourism to Victoria’s Aboriginal Reserves
He Whare Hangarau Māori: Language, Culture & Technology
Highlights Report: RAIC International Indigenous Architecture and Design Symposium
The Historic Sites and Monuments Board of Canada’s Representation of Indigenous History from 1945 to 1982
History Thesis (MA) -- University of Ottawa, 2017.
The Historic Sites and Monuments Board of Canada's Representation of Indigenous History from 1945 to 1982
How Native American Rappers Communicate and Create a Modern Identity
Imagining Indigenous Digital Futures: An Afterword
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In the Balance: Indigeneity, Performance, Globalization
In the Balance: Indigeneity, Performance, Globalization
Indian Notes [Vol. 12, no. 1, 1978]
Indian Photographs: Amelia Frost and the Presbyterian Mission
Indians Everywhere: Paul Chaat Smith on "Americans"
Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769
Indigenous Collections Symposium: Promising Practices, Challenging Issues, Changing the System
Indigenous Cultures
Indigenous Filmmaking at the NFB: An Overview
Indigenous Intangible Cultural Heritage: Towards an Indigenous Approach to Canadian Heritage Management and Planning
Indigenous Storytelling: Contesting, Interrupting, and Intervening in the Nation-Building Project Through Historica Canada’s Heritage Minutes
Indigenous Women's Voices: 20 Years on from Linda Tuhiwai Smith’s Decolonizing Methodologiesk
Indigi-Genuis
Series of 13 videos (each approximately 5 minutes long), geared toward children, explore how Indigenous knowledge and traditions have contributed to the modern world.
Inside Out: An Indigenous Community Radio Response to Incarceration in Western Australia
An Interview with Susan Point
Introduction to Determinants of First Nations, Inuit and Métis Peoples Health in Canada
Inuit Art and HBC: Lesson Plan
Examines the company's role in fostering the development, promotion, collection and market for Inuit art. Suitable for Grades 4 to 12.
Jimmy Meneen Interview 2
Kent Monkman: A Trickster With a Cause Crashes Canada's 150th Birthday Party
Kent Monkman: Life and Work
Kinscapes, Counter Histories, and Nineteenth-Century Tintypes
Examines a photograph of a North-West Mounted Police officer to discuss how Kinscape can be used to discover more interpretive possibilities within the history of the prairies.
Lakota Performers in Europe: Their Culture and the Artifacts They Left Behind
The Land God Gave to His Children / A Western Development Museum Travelling Exhibition - Booklet. - 1978.
Large Area To Cover But Little Trouble
Learn about Western Canada in the Early 1900s through the Art of C.D. Hoy: Teacher Resource Guide for Grades 7-12
Hoy was a photographer who worked in Quesnel, British Columbia at the start of the twentieth century, when the Fraser River and Cariboo Gold Rushes were taking place, resulting in different cultural groups coming together in one location. Many of his portraits were of Indigenous people living in the area. Designed to complement the online exhibition Through the Lens of C.D. Hoy: How a Chinese Canadian Photographer Memorialized a Community.