Red: The Eiteljorg Contemporary Art Fellowship
Reflections on Rethink150: Indigenous Truth
Reimagining Resistance: Achieving Sovereignty in Indigenous Science Fiction
Remote Avant-Garde: Aboriginal Art under Occupation
Remote Avant-Garde: Aboriginal Art under Occupation
Representing Wilderness: Community, Collaboration, and Artistic Practice
Residential Schools and "Reconciliation" in the Media Art of Skeena Reece and Lisa Jackson
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.
A Resource for the Edward S. Curtis Collection at the Art Gallery of Ontario
Resources on Archives & Indigenous Issues
Rethinking Photographic Histories: Indigenous Representation in the Byron Harmon Collection
Revealing Blue on the Northern Northwest Coast
Revisiting Winnetou: The Karl May Museum, Cultural Appropriation, and Indigenous Self-Representation
Richard Throssell: Crow Camps [Part four]
Richard Throssell: Crow Camps [Part three]
Richard Throssell: Crow Camps [Part two]
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
Rock Art of Nlaka'pamux: Indigenous Theory and Practice on the British Columbia Plateau
The Role of Music in Assimilation of Students at the Carlisle Indian Industrial School
La Ronge Indian Days
Historical note:
A video made by La Ronge Community Television recording the 1978 La Ronge Indian Days.Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Safety for Our Sisters: Ending Violence against Native Women
Saskatchewan History - The First Peoples: Plains First Nations
Screen Text and Institutional Context: Indigenous Film Production and Academic Research Institutions
Sellin portrait of John Diefenbaker in Calgary
The Semiotic Analysis of the Representation of Arctic Inuit in the National Geographic
Seneca Art and Culture Center at Ganondagan State Historic Site
The Sense of a Better Ending: Legal Pluralism and Performative Jurisprudence in Atanarjuat the Fast Runner
Setting the Inuit Record Straight on Cultural Prejudice and the Seal Hunt
Settler City Limits: Indigenous Resrugence and Colonial Violence in the Urban Prairie West
Settler Colonial Ways of Seeing: Documentary Governance of Indigenous Life in Canada and Its Disruption
Sexy Health Carnival on the Powwow Trail: HIV Prevention by and for Indigenous Youth
Shades of Our Sisters
Shadow and Substance: A Computer Assisted Study of Niska and Gitksan Totem Poles
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.
Showing and Telling the Story of Nikis (My Little House): An Arts-Based Autoethnographic Journey of a Cree Adult Educator
Shuvinai Ashoona: Life & Work
The Significance of Drums in First Nations' Cultures
Designed for Grade 1-3 art classes.