Eastern Cherokee Creation and Subsistence Narratives: A Cherokee and Religious Interpretation
Edgar Heap of Birds
[Edgar Heap of Birds]
The Enduring Afterlife of Before Tomorrow: Inuit Survivance and the Spectral Cinema of Arnait Video Productions
Eufrosina's Revolution
Evaluating the Impact of a Culturally Sensitive Art Program on the Resilience, Perceived Stress, and Mood of Urban American Indian Youth
“An Evening’s Curiosity”: Image and Indianness in James Welch’s The Heartsong of Charging Elk
Examining the Gathering of Nations Powwow and a NCCA Division I Basketball Game
Exhibit: Aboriginal Contributions to the War of 1812
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
Facing The Past
Facsimiles of sketches furnished to the Montreal Star by a member of the Expedition - 9 May 1885.
Fashioning Decolonization: Telling Stories Of Canadian Indigenous Women Through Fashion Hacking
Fed by Spirits: Mâmâhtâwisiwin in René Highway's New Song...New Dance
The Fight at Duck Lake
Film Exhibition at Indian Residential School, 1930-1969
Finding Mile Zero on the Powwow Trail
Fine Day
The First Expedition for the Relief of Battleford Attacked by Halfbreeds - Sketch. - 1885.
First-Nations, Métis, and Inuit Drama from Playwrights Canada Press
First Shell into Batoche, May 9, 1885
Fish Creek From the North
Fort Carlton, 1885
Fort of Refuge, Prince Albert, March 31, 1885
Fostering Remembrance and Reconciliation Through Arts-Based Response
Four Case Studies Exemplifying Best Practices in Architectural Co-design and Building with First Nations
Four More Indigenous Projects for the Native American Humanities
[Four Sky Thunder]
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.
From Colonial Trophy Case to Non-Colonial Keeping House
From Huronia to Wendakes: Adversity, Migrations, and Resilience, 1650-1900
Fully Contoured Beadwork: A Definition of the Technique
Fur Trader's Jacket
Gabriel Dumont - Portrait
Garden of Relatives Coloring Book
Colouring pages based on design that features plants and the animals associated with them.