Disturbing the Dead: Diversity and Commonality Among the Stó:lō
"Don't Call Me Eskimo": Representation, Mythology and Hip Hop Culture on Baffin Island
Duck Lake Battle Grounds
Dummies in Loincloths: Redefining Native Exhibitions
“Dyeing Commodities Whether in Roote or Floure”: Reconstructing Aboriginal Dye Techniques from Documentary and Museum Sources
An Economic Analysis of the Auction Market for Australian Art: Evidence of Indigenous Difference and Creative Achievement
The Ecstasy of Rita Joe by George Ryga: Study Guide
Plot of novel involves a young Shuswap woman who leaves her reserve for the city and is ultimately raped and murdered. Includes overview of play, biography of playwright and director, and focus questions.
Eekwol: Too Sick
Embodied Sovereignty: Dialogues with Contemporary Aboriginal Dance
Epic Encounters: First Contact Imagery in Nineteenth and Early-Twentieth Century American Art
An Ethnohistory of the American Indian Exposition at Anadarko Oklahoma: 1932-2003
Evaluating the Impact of a Culturally Sensitive Art Program on the Resilience, Perceived Stress, and Mood of Urban American Indian Youth
Evaluation of Indigenous Hip Hop Projects
Everything You Know About Indians Is Wrong
Exhibiting Voices: The Presence of Native American Voices in Museum Exhibitions
Expressions: Canadian Aboriginal Artists
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
Facsimiles of sketches furnished to the Montreal Star by a member of the Expedition - 9 May 1885.
The Fantasy of Whiteness: Blackness and Aboriginality in American and Australian Culture
The Fight at Duck Lake
Fine Day
The First Expedition for the Relief of Battleford Attacked by Halfbreeds - Sketch. - 1885.
First Nation Cinema: Hollywood's Indigenous "Other"
The First Nations Art of Birch Bark Biting
First Nations Artists Revisit the 1876 Indian Act
Looks at the exhibition "The Indian Act Revisited" at the Huron-Wendat Museum in Quebec.
Entire issue on one pdf. To access article scroll to p.13.
First Nations, First Thoughts: The Impact of Indigenous Thought in Canada
First Shell into Batoche, May 9, 1885
Fish Creek From the North
Footpaths & Bridges: Voices From the Native American Women Playwrights Archive
Footpaths & Bridges: Voices from the Native American Women Playwrights Archive. Shirley A. Huston-Findley and Rebecca Howard, eds.
Forging New Partnerships: Coast Salish Communities and Museums
A Form and Function Study of Precontact Pottery from Atlantic Canada
Fort Carlton, 1885
Fort of Refuge, Prince Albert, March 31, 1885
Fort St. Joseph National Historic Site of Canada
[Four Sky Thunder]
Fox No Longer The Unsung Star
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.