Duck Lake Battle Grounds
Dugout Canoe Photographs
The Dynamism and Transformation of "Tradition": Factors Affecting the Development of Powwows in Southwestern Ontario
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.1: Multiplication and First Nations Drumming
Teacher-created lesson plan developed in conjunction with the Stirling McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
Eastern Cherokee Creation and Subsistence Narratives: A Cherokee and Religious Interpretation
The Ecstasy of Rita Joe
eCulture
Edgar Heap of Birds
Editorial [Indigenous Women in Canada: the Voices of First Nations, Inuit and Métis Women]
Edward Curtis Meets the Kwakwaka'wakw: In the Land of the Head Hunters
Eeekwol Thrives as Untraditional Storyteller
Eekwol Has No Intention of Leaving the Hip Hop Genre
Eekwol on Gender
Elucidating Abstract Concepts and Complexity in Louise Erdrich's Love Medicine Through Metaphors of Quilts and Quilt Making
Embodying the Screen: Body and Identity in Aboriginal Cinemas
Emendatio
Encounters
Entre-Deux Mondes: Métissage, Identité et Histoire: Sur les Traces de Sonia Robertson, Sylvie Paré et Rebecca Belmore, ou les Parcours Artistiques de Trois Femmes Artistes Autochtones, Entre la Mémoire et l'Audace
Entrepreneurship in Coral Harbour, Nunavut: A Study of Enterprise in Rankin Inlet, Nunavut Where Subsistence Self-Employment Meets Formal Entrepreneurship
EQ Voices: We are on the Cusp of Being Undeniably, Incontrovertibly Visible
Ernestine Shuswap Gets Her Trout
Essential Song: Three Decades of Northern Cree Music
Eugenics as Indian Removal: Sociohistorical Processes and the De(con)struction of American Indians in the Southeast
Evening at the Warbonnet and Other Plays
Examining the Gathering of Nations Powwow and a NCCA Division I Basketball Game
Exiled, Executed, Exalted: Louis Riel, Homo Sacer and the Production of Canadian Sovereignty
An Experimental Approach to Inuit Ground Stone Technology at Nachvak Fiord, Labrador
Exploring Aboriginal History in the Fraser Valley
Exploring Notions of Cultural Hybridity in Contemporary American Indian Art: Rick Bartow, A Case Study
Eye Contact: Photographing Indigenous Australians
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.