Hidden in Plain Sight: Contributions of Aboriginal Peoples to Canadian Identity and Culture, vol. 1
Historical Ambivalence in a Tribal Museum
Hlk’yak’ii: To Start a Fire
Catalogue for exhibition of the same name.
How Can Urban Parks Support Urban Indigenous Peoples? Exploratory Cases from Saskatoon and Portland
Hunted and Honoured: Animal Representations in Precontact Masks from the Nunalleq Site, Southwest Alaska
Using archaeological data to better understand the role of animals in precontact Yup'ik communities.
Hustling and Hoaxing: Institutions, Modern Styles, and Yeffe Kimball’s “Native” Art
Hydro-Quebec Buys Inuit Art
I Can Make Art ... Like Andrew Qappik
I Can Make Art ... Like Andrew Qappik: [Study Guide]
Guide to accompany film, I Can Make Art ... Like Andrew Qappik. Target ages 9-12. Contains previewing and post viewing activities, follow up discussion and activity ideas.
"I'm an Indian Too:" A Contemporary Indigenous Reclamation of Racist Musical Tropes
IAIA Exhibit Features Emerging Indian Artist
Ideals of Authenticity: Euro-American Sculptural Representations of Native Americans at the World’s Columbian Exposition of 1893
Identity in Cultural Appropriation: Native American Representations in Euro-American Art
Iihksiisiinatsiistostiimao Nipaitapiitsiin
Contemporary Arts Project (MA) -- Simon Fraser University, 2019.
IKMS Offers Home For Indigenous Knowledge
Images Used: Chapter 2 (A Dying Race): Portrait of Four Indigenous Peoples Outside
Images Used: Chapter 2 (A Dying Race):Portrait of Sotanah (Rainy Chief)
Impacts of COVID-19 on First Nations Arts and Culture
'In Our Language': The Art of Hachivi Edgar Heap of Birds
Indian Art as Dialogue: The Tricky Transgressions of Bob Haozous
The Indian Character Piece for Solo Piano (ca. 1890-1920): A Historical Review of Composers and Their Works
"Indian Country" on Washington's Mall--The National Museum of the American Indian: A Review Essay
Indian Trappers in the North-West - [H.P. Shore]. - Sketch. - 12 December 1885.
Indian Warriors and Pioneer Mothers: American Identity and the Closing of the Frontier in Public Monuments, 1890-1930
Indians in Cyberspace
Indigenizing the Curriculum: An Appendix of Films and Movies, and Their Supportive Books [Full List]
Indigenous Archaeologies: Decolonizing Theory and Practice
The Indigenous Arts Archive: Indigenizing the Spencer Museum of Art’s Database
Indigenous Arts & Stories
Indigenous Comics and Graphic Novels: An Annotated Bibliography
Indigenous Comics Studies Bibliography: Scholarly Journal Articles & Books
Brief list.
Indigenous Curation as Intangible Cultural Heritage: Thoughts on the Relevance of the 2003 UNESCO Convention
Indigenous Expressive Arts Therapy Project Healing Through Creative Expressions
Indigenous History: A Bibliography
Indigenous Knowledge and Prospects for Income and Employment Generation: The Case of Handicraft Production among Rural Women in Tanzania
Indigenous New Media Arts: Narrative Threads and Future Imaginaries
Indigenous Repatriation Handbook
Indigenous Women and Street Gangs: Survivance Narratives
Injichaag: My Soul in Story
Interesting and Pathetic Relics: The Franklin Expedition and British Museums
History Thesis (MA) -- Middle Tennessee State University, 2021.
Interior of Fort Pitt, Just [Before] the Rebellion of 1885
Interpretive Guide and Hands-on Activites: The Alberta Foundation for the Arts Travelling Exhibition Program: ᐊᐧᐃᐧᓯᐦᒋᑲᐣ = Wawisihcikan = Adornment
Lesson plans for elementary and secondary school students for exhibition featuring works by Elaine Alexie, Erik Lee, and Carmen Miller. Topics include First Nations groups of central Alberta and the Boreal forest, brief survey of Indigenous art in the twentieth century, abstract art, and First Nations traditional art forms and materials.