The Digital Domain of Douglas Cole: Selected Internet Resources
Digital Indigeneity: Digital Media's Uses for Identity Formation Education, and Activism by Indigenous People in the Northeastern United States
Do You Recognize Who I Am? Decolonizing Rhetorics in Indigenous Rock Opera Something Inside is Broken
"Don't Even Talk to Me if You're Kinya'áanii [Towering House]": Adopted Clans, Kinship, and "Blood" in Navajo Country
Dragonfly Gallery Opens With Rocky Mountain and Native American Art
Duck Lake Battle Grounds
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.1: Multiplication and First Nations Drumming
Teacher-created lesson plan developed in conjunction with the Stirling McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
Early Nuxalk Masks
Eastern Cherokee Creation and Subsistence Narratives: A Cherokee and Religious Interpretation
Empowerment through "Retroactive Prophecy" in D'Arcy McNickle's Runner in the Sun: A Story of Indian Maize, James Welch's Fools Crow, and Leslie Marmon Silko's Ceremony
Evaluating the Impact of a Culturally Sensitive Art Program on the Resilience, Perceived Stress, and Mood of Urban American Indian Youth
Every Picture Tells a Story: Plains Indian Warrior Art ... The State of the Art
Examining the Gathering of Nations Powwow and a NCCA Division I Basketball Game
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
Facsimiles of sketches furnished to the Montreal Star by a member of the Expedition - 9 May 1885.
Fashioning Decolonization: Telling Stories Of Canadian Indigenous Women Through Fashion Hacking
The Fight at Duck Lake
Films: Edward S. Curtis: An Old Picture in a New Frame
Fine Day
The First Expedition for the Relief of Battleford Attacked by Halfbreeds - Sketch. - 1885.
First Nation Pow Wow - Hoop Dancer Wanuskewin. - Oct. 8 2000. - Slides.
First Nations Dolls
First Nations Identity
First-Nations, Métis, and Inuit Drama from Playwrights Canada Press
First Nations of the Southern Praries
First Shell into Batoche, May 9, 1885
Fish Creek From the North
Forms of Belonging, Forms of Difference: Art, Ethnicity and Stratifications of Culture in Contemporary Santa Fe
Fort Carlton, 1885
Fort of Refuge, Prince Albert, March 31, 1885
Four More Indigenous Projects for the Native American Humanities
[Four Sky Thunder]
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.
From Advocacy to Ethnology: Frank Speck and the Development of Early Anthropological Projects in Canada, 1911-1920
A Future with a Past: Hazel Pete, Cultural Identity, and the Federal Indian Education System
Gabriel Dumont - Portrait
Garden of Relatives Coloring Book
Colouring pages based on design that features plants and the animals associated with them.