George Manuel Institute/Neskonlith Indian Band: Project Number: HH-88-BC
Documents & Presentations
Author/Creator
Kevin Barlow
Description
Description and evaluation of project which involved researching, writing, producing, and delivering a play about the impact of residential schools. Uses project files, key informant interviews, and documents and data collected by community support coordinator.
Wicazo Sa Review, vol. 16, no. 2, Fall, 2001, pp. 75-96
Description
Reviews and evaluates documentary and fictional Hollywood movies from the 1960s and 1970s, in relation to how the American Indian Movement (AIM) in the United States is portrayed.
[Antimodernism and Artistic Experience: Policing the Boundaries of Modernity]
E-Books » Chapters
Author/Creator
Ruth B. Phillips
Description
Argues that during the period between the 1860s and the 1960s performance art offered the most favourable site for answering to stereotypes such as vanishing, pre-modern and degenerate races. Uses the careers of Ester Deer and Molly Nelson as examples.
Chapter from: Antimodernism and Artistic Experience: Policing the Boundaries of Modernity edited by Lynda Jessup
Inuit Art Quarterly, vol. 16 , no. 4, Winter, 2001, pp. 6-17
Description
Discusses the technique of throatsinging, the variances from region to region, and profiles some singers.
Entire issue on one pdf. To access article, scroll to page 6.
Canadian Theatre Review, no. 108, Fall, 2001, pp. 48-51
Description
Reviews the large scale northern tour of an award winning First Nations play, fareWel by Ian Ross, which looks at issues such as identity, poverty, substance abuse, and racism.