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Affirming Identity Through Musical Performance in a Canadian Arctic Hamlet
Approaches to Teaching American Indian Histories and Cultures: Classroom Resources Generated by Teachers in Rapid City Area Schools
Ballads Not Bullets: Tom Jackson
The Beat Goes On: Taking the Pulse of the Northern Arts Scene
Broadcasting Live from Unceded Coast Salish Territory: Aboriginal Community Radio, Unsettling Vancouver
Case Study: Neil Young’s Honour the Treaties Tour
Circulating Cultures: Exchanges of Australian Indigenous Music, Dance and Media
[Closing Remarks and Songs]
Contesting Tradition: Inuk Vocalist Tanya Tagaq
Cree Language Resources: An Annotated Bibliography
Debating Cultural Appropriation
Lesson plan focuses on what cultural appropriation is, how it affects Indigenous peoples and whether it should be regulated by law.
Accompanying Material: Student Version.
Developed in conjunction with the documentary Rumble: The Indians Who Rocked the World.
Debwewin (The Sound of the Heart)
Decolonial Interventions in Performance and New Media Art: In Conversation with Cheryl L'Hirondelle and Kent Monkman
Drum-Assisted Recovery Therapy For Native Americans (DARTNA): Results From a Pretest and Focus Groups
Ecological Ethics in Two Andean Songs
Embodied Tribalography: Mound Building, Ball Games, and Native Endurance in the Southeast
Exploring Autism and Music Interventions through a First Nations Lens
Exploring Drumming/Song and its Relationship to Healing in the Lives of Indigenous Women Living in the City of Winnipeg
Indigenous Governance (MA) -- University of Winnipeg, 2014.
Feeling Reconciliation, Remaining Settled
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
‘The happiest time of my life …’: Emotive Visitor Books and Early Mission Tourism to Victoria’s Aboriginal Reserves
How Native American Rappers Communicate and Create a Modern Identity
Huron Carol: A Canadian Cultural Chameleon
Imagine Lennon as Choctaw Code Talker: Indigenized Beatles in LeAnne Howe's Miko Kings
In the Balance: Indigeneity, Performance, Globalization
Indigenous Hip Hop as a Tool of Decolonization: Examining Nicholas Galanin's Tsu Heidei Shugaxtutaan Part One and Two and Kevin Lee Burton's Nikamowin (Song)
Indigenous Modernities and the Performance of the Music of Bolivian Mission Archives by the Ensamble Moxos
Inside Out: An Indigenous Community Radio Response to Incarceration in Western Australia
An Interview with Tania Willard on Beat Nation, Indigenous Curation and Changing the World Through Art
Katajjaq: Traditional Throat Singing in a New Age
Kooral Dwonk-Katitjiny (Listening to the Past): Aboriginal Language, Songs and History in South-Western Australia
The Listener: Remembering The Dane-zaa Soundscape Recordings of Howard Broomfield
[Michif Language Resources: An Annotated Bibliography]
Music and Change in Nain, Nunatsiavut: More White Does Not Always Mean Less Inuit
Native American Music from Wounded Knee to the Billboard Charts: A Document Based Exploration
Lesson uses interviews with Pat Vegas and Redbone from the documentary Rumble: The Indians That Rocked the World as a jumping-off point to examine the U.S. government's efforts to control Native American culture by way of music.
The "Noble Savage" in American Music and Literature, 1790-1855
Noble Savage/Indigéne sauvage: Staging First Nations in Early Canadian Opera
Radio Healer: Hacking the Wii Remote to Perform Indigenous Re-Imagined Ceremony
Joe French
Recasting Commodity and Spectacle in the Indigenous Americas
Reclaiming Territories through Indigenous Performance
Recording Culture: Powwow Music and the Aboriginal Recording Industry on the Northern Plains
Recording Culture: Powwow Music and the Aboriginal Recording Industry on the Northern Plains
Recording Culture: Powwow Music and the Aboriginal Recording Industry on the Northern Plains
The Road Forward
Musical documentary traces Indigenous rights activism from the founding of the Indian of Brotherhood of B.C. in the 1930s to the present day. Duration: 1:41:00.
Rougarou
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.