Covers the past 100 years of contact between First Nations farmers and non-Aboriginal farmers which in many circumstances depended on the level of respect they had for each other.
Inuit Art Quarterly, vol. 18, no. 3, Fall, 2003, pp. 40-42
Description
Curator discusses how both Inuit and non-Inuit works were incorporated into the exhibition held at the National Gallery of Canada, 2003.
Entire issue on one pdf. To access article, scroll to p. 40.
Capstone Seminar Series, vol. 4, no. 1, (Re)Negotiating Artifacts of Canadian Narratives of Identity, Spring, 2014, pp. 3-26
Description
Examines Monkman's work from Sakahà: International Indigenous Art exhibition to show how he challenges concealment of Indigenous gender, sexualities, and western stereotypes.
Book review of Carrying on Irregardless edited by Peter Morin, Martine J. Reid, and Mike Robinson.
Entire book review section on one pdf. To access this review scroll to p. 157.
BC Studies, no. 184, Winter, 2014/2015, pp. 147-149
Description
Book review of: Charles Edenshaw edited by Robin K. Wright, Daina Augaitis, and Jim Hart.
Entire book review section on one PDF. To access this review scroll to p. 147.
[UBC Museum of Anthropology Pacific Northwest Sourcebook Series]
Documents & Presentations
Author/Creator
Pam Brown
Elle-Máijá Tailfeathers
Description
Sourcebook for exhibition of the same name held from June, 2014 to January, 2015. Includes photos of individual works and brief biographies of each artist.
Website covers the fight for civil rights and struggle for land rights in Australia with links to the people, maps, resources, timeline, and organizations.
Inuit Art Quarterly, vol. 27, no. 3, Fall, 2014, pp. 16-17
Description
Discusses the responsibility of the art collector to source out the history of the piece.
Entire issue on one pdf. To access article, scroll to page 16.
Artist discuses the work Welcome to the Studio which was inspired by the Notman Photographic Archives in the McCord Museum and Gustave Corbet's The Artist's Studio.
Duration: 1:10:56.
New Human Rights Museum a Monument to Contradiction
Documents & Presentations
Author/Creator
Bruce McIvor
[Cornelius Wabasse
Erwin Redsky
Cathy Merrick]
Description
Topics include the implications of the Tsilhqot’in and Grassy Narrows decisions, duty to consult, provincial treaty obligations, and proposed federal land claims policy.
"This essay examines the legacy of colonialism in museums and, in combination with social digitization trends, its impact on current museum attendance trends".
Honors paper towards undergraduate degree in History and Geography--Texas Christian University, 2014.
American Indian Quarterly, vol. 27, no. 1/2, Special Issue: Native Experiences in the Ivory Tower, Winter-Spring, 2003, pp. 172-176
Description
Author argues that gun museums—especially those attached to academic institutions—serve to silence the Indigenous voice regarding the history of the American West, promote a white-supremist agenda, and function as a tool of ongoing colonialism in the United States.
The Journal of American History, vol. 90, no. 2, September 2003, pp. 748-749
Description
Review of website: Images of Native Americans created and maintained by the Bancroft Library at the University of California, Berkeley.
All website reviews on one document. To access review, scroll to page 748.
Inuit Art Quarterly, vol. 27, no. 3, Fall, 2014, pp. 22-31
Description
Discusses a sculpture competition and a subsequent exhibition, Eskimo Fantastic Art at the University of Manitoba in 1972.
Entire issue on one pdf. To access article, scroll to page 22.
This documentary reflects on Kainai (Blood tribe) history, governance, survival, and living culture as it explores the repatriation of artifacts from Europeans.
Duration: 1:9:39.
Discusses a painting that appears to be a nineteenth-century Romantic landscape but is in fact a critique of that style of painting which deconstructs both colonial representations of Native Americans and colonialism’s westernization of Native gender and sexuality.
Inuit Art Quarterly, vol. 18, no. 3, Fall, 2003, pp. 10-17
Description
Curator of the exhibition responds to criticism about the way items were displayed. For example, a carving of a kayak beside the actual object.
Entire issue on one pdf. To access article, scroll to p. 10.