Transmotion, vol. 4, no. 2, Red Readings, December 30, 2018, pp. 63-79
Description
Article engages with the visual art of two different Indigenous women artists, Sarah Sense and Shan Goshorn, and the work it does to challenge colonial narratives and representations of Indigeneity, and Indigenous women by addressing "chasms of misunderstanding and collisions of cultural representation."
DIAMA (Digitizing the Inuit and Aboriginal Media Archive)
Description
DIAMA preserves archives by cleaning, reformatting, digitizing and uploading materials collected since the 1970's. The website is searchable by language/culture, topic and location.
Canadian Journal of Native Studies, vol. 38, no. 1, 2018, pp. 183-207
Description
This project examines a collection of digital stories created by urban Indigenous youth, parents and educators; using theories of self-determination, sovereignty and survivance article argues that urban living can contribute to the strength and endurance of Indigenous identities and ways of being.
Video of speech given by professor from the University of Victoria's Indigenous Governance Program. He argues that Aboriginals must regain their authentic cultural identity in order to truly decolonize themselves.
Duration: 01:02:12.
Hakaru Maruumatu Kwitaka? Seeking Representational Jurisdiction in Comanchería Cinema
Articles » Scholarly, peer reviewed
Author/Creator
Dustin Tahmahkera
NAIS: Journal of the Native American and Indigenous Studies Association, vol. 5, no. 1, Spring, 2018, pp. 100-135
Description
Discusses representations of the Comanche people in both historic and contemporary films and other media; describes ways in which cinematic Comanche (actors and performers) worked to subvert mainstream narratives and portrayals of their people.
Studies in American Indian Literature, vol. 30, no. 3-4, Fall-Winter, 2018, pp. 121-150
Description
Discuss Waln’s use of hip hop as a venue to resist colonially imposed tropes of toxic/hyper masculinity and the indian, and to reestablish authentic Indigenous masculinities and collaboration with Indigenous feminists.
Seachange, The Face-to-Face, Spring, 2010, pp. 51-80
Description
Looks at the history of Native Net, a nation-wide computer based multimedia communication network, and the development of CyberPowWow, an online gallery and chat room produced by the Aboriginal collective Nation to Nation.
Discusses the work of visual artist Summer Zah; highlights the way in which the artist engages with media stereotypes and representations, and the effects they can have on individual identities as well as on mainstream perceptions of Indigenous peoples.
Transmotion, vol. 4, no. 1, Red Readings, April 25, 2018 , pp. 77-93
Description
Film criticism article in which the author conducts a “Red Reading” of George Romero's 2005 zombie film, Land of the Dead using Frederick Jackson Turner's (1986) “Frontier Thesis” as lens.
ab-Original, vol. 2, no. 2, The Entangled Gaze, 2018, pp. 151-156
Description
In this conference extract the author examines the history of Inuit art noting the ongoing self-representation in the work; argues that this allows for a high level of agency in Inuit art.
Transmotion, vol. 4, no. 1, Red Readings, April 25, 2018 , pp. i-vii
Description
Guest editor introduces the issue and discusses the origins and evolution of the idea for an issue that focuses on Indigenous-centered film criticism and literary criticism. Discusses the process and value of “Red Readings.”
Transmotion, vol. 4, no. 2, Genocide Special Issue, December 30, 2018, pp. 113-131
Description
Article discusses the integration of Dakota values into the video game Spirit Lake: The Game for the purpose of teaching mathematics, and examines the efficacy of the game for improving learning outcomes for on-reserve youth.
ab-Original, vol. 2, no. 2, The Entangled Gaze, 2018, pp. 141-150
Description
In this conference extract the author explores the different ways that his Haudenosaunee ancestors would have represented their experiences with and perceptions of the first Europeans to arrive in what is now North America.
Discusses the authentic representations of Indigenous peoples and cultures in the film The Revenant and contrasts them to common cinematic stereotypes.