Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
Alfredo Rodriguez
Animal Arrays and Geometric Pictorials: Commercial Aspects of Plains Painting
Arches and Awnings: Architecture in the Arctic
Art and Spirit: The Artistic Brain, the Navajo Concept of Hozho, and Kandinsky’s “Inner Necessity”
Artistic Displacements: An Interview with Edgar Heap of Birds
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
The Basketmaker
Beads: Symbols of Indigenous Cultural Resilience and Value
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Becoming Anthropological: A Cultural Biography of EL Mitchell's Photographs of Aboriginal People
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Cape Dorset Annual Print Collection 2003
Carving Self-Identity: Hopi Katsina Dolls as Contemporary Cultural Expression
The Cast[e]ing of Heroic Landscapes of Power: Constructing Canada's Pantheon on Parliament Hill
Change Over Time in the Abundance and Distribution of Black Ash in Nova Scotia: Effects on Mi'kmaq Traditional Use, and Recommendations for the Best Germination Technique for Province Wide Replanting Programs
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
The Concept of Duality in Culture and Myths of Lakota Indians
Constructing Locality in Contemporary Canadian Aboriginal Art
Contemporary American Indian Art: Three Portraits of Native Artists without Masks
Continuum: 12 Artists
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Creators: Negotiating the Art World for Over 50 Years
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
[Dana Claxton's Sitting Bull and the Moose Jaw Sioux]
David Ruben Piqtoukun: Between Two Worlds
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Disposable Red Woman: Guerrilla Art
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
The Educational Function of Native American Art Shops in Flagstaff, Arizona
Eva Talooki: Her Tribute to Seed Beads, Long-time Jewels of the Arctic
Every Picture Tells a Story by Josie Papialuk
Expanding Knowledge through Dreaming, Wampum and Visual Arts
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.