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Aboriginal and Torres Strait Islander Visual Arts and Crafts: Study Report
Art Toronto 2001
Asingit: Inuit Art from the Macdonald Stewart Centre
Assimilation and Difference: Two Recent Exhibitions of Archival Photographs
Auctioning Inuit Art
Avataq Cultural Institute: Keeping Inuit Culture Afloat
Baskets: Carrying a Culture: The Distinctive Regional Styles of Basketmaking Nations in the Pacific Northwest
Bill Reid (1920-1998): In Memoriam
Border Under Siege: An Author's Attempt to Reconcile Two Cultures
Building Aboriginal Economies
Campfire Stories with George Catlin: an Encounter of Two Cultures
Changemakers Lesson Plans: Remote Learning
Lesson plans focus on Native Americans who are fighting invisibility and creating change through their work, contributions from the past, and current actions which will impact the future.
Cloth & Clay: Communicating Culture
Colonial Photography and Exhibitions: Representations of the 'Native' and the Making of European Identities
Competition and Consumer Issues for Indigenous Australians
Consumers of Indigenous Canadian Aboriginal Textile Crafts
Depicting the Inner Reality: A Conversation with Joel Maniapik
Digital Indigeneity: Digital Media's Uses for Identity Formation Education, and Activism by Indigenous People in the Northeastern United States
The Experimental 1860s: Charles Walter's Images of Coranderrk Aboriginal Station, Victoria
Five Suggestions for Better Living
Floyd Kuptana
Focus On: Artists From the Western Territory
Focus On: Bill Nasogaluak, Masterful Apprentice
Focus on: Mayureak Ashoona
Framing Colonialism: An Analysis of Kent Monkman’s mistikôsiwak (Wooden Boat People)
Discusses two-panelled work commissioned by the Metropolitan Museum of Art in New York. One panel, entitled Welcoming the Newcomers, depicts the moment of first contact, the other, entitled Resurgence of the People, depicts contemporary struggles of Indigenous peoples.
Garden of Relatives Coloring Book
Colouring pages based on design that features plants and the animals associated with them.
Geometry of Native American Art
Grabill Collection
The Gwich'in Traditional Caribou Skin Clothing Project: Repatriating Traditional Knowledge and Skills
Inuit Art: 1950-2000
Inuit Art and HBC: Lesson Plan
Examines the company's role in fostering the development, promotion, collection and market for Inuit art. Suitable for Grades 4 to 12.
The Inuit Art Foundation
Iqqaipaa: Celebrating Inuit Art 1948-1970
Keeping the Fire Alive
Kent Monkman: Life and Work
Kinscapes, Counter Histories, and Nineteenth-Century Tintypes
Examines a photograph of a North-West Mounted Police officer to discuss how Kinscape can be used to discover more interpretive possibilities within the history of the prairies.
Learn about Western Canada in the Early 1900s through the Art of C.D. Hoy: Teacher Resource Guide for Grades 7-12
Hoy was a photographer who worked in Quesnel, British Columbia at the start of the twentieth century, when the Fraser River and Cariboo Gold Rushes were taking place, resulting in different cultural groups coming together in one location. Many of his portraits were of Indigenous people living in the area. Designed to complement the online exhibition Through the Lens of C.D. Hoy: How a Chinese Canadian Photographer Memorialized a Community.
A Legal Love Letter to My Children: If These Beads Could Talk
Discusses possible changes to the legal system through Indigenous pedagogies.
Manufacturing Assimilation: Photographs of Indian Schools in Arizona
Metis Women's Traditional Art Series
Four videos discuss history and techniques of finger weaving, embroidery, rug-making, and beadwork.
Most Striking of Objects: The Totem Poles of Sitka National Historical Park
Motherland
Art Thesis (MA) -- University of Manitoba, 2022.
Musqueam Weavers: Musqueam Weaving Through The Personal Stories of Weavers
New Media Cultures: Protocols for Producing Indigenous Australian New Media
Nuna Parr: A Hunter's Perspective
Nuvisavik: The Place Where We Weave
Ohito Ashoona
On Crossing Lines and Going Between: An Interview with Marjorie Beaucage
One Arrow Pow Wow July 12 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.